Cargando…
ReFocus. The films of Elaine May /
This collection focuses both on the films Elaine May has directed, and also emphasises her work with other high profile collaborators such as John Cassavetes, Warren Beatty and Otto Preminger.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2019]
|
| Colección: | ReFocus, the American directors series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1124796581 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 191027t20192019stka eob 001 0deng d | ||
| 040 | |a YDX |b eng |e pn |c YDX |d JSTOR |d OCLCF |d WAU |d OCLCQ |d N$T |d EBLCP |d UKAHL |d OCLCO |d SFB |d OCLCO |d OCLCQ |d UKMGB | ||
| 015 | |a GBC2A1772 |2 bnb | ||
| 016 | 7 | |a 020076669 |2 Uk | |
| 019 | |a 1148899785 |a 1298455197 |a 1332950983 |a 1370510053 | ||
| 020 | |a 9781474440202 |q (electronic bk.) | ||
| 020 | |a 1474440207 |q (electronic bk.) | ||
| 020 | |z 9781474440189 | ||
| 020 | |z 1474440185 | ||
| 020 | |a 9781474440219 |q Electronic book (EPUB format) | ||
| 020 | |a 1474440215 | ||
| 029 | 1 | |a AU@ |b 000066193380 | |
| 029 | 1 | |a AU@ |b 000070420399 | |
| 029 | 1 | |a UKMGB |b 020076669 | |
| 035 | |a (OCoLC)1124796581 |z (OCoLC)1148899785 |z (OCoLC)1298455197 |z (OCoLC)1332950983 |z (OCoLC)1370510053 | ||
| 037 | |a 22573/ctvnk87c0 |b JSTOR | ||
| 043 | |a n-us--- | ||
| 050 | 4 | |a PN1998.3.M3954 |b R44 2019eb | |
| 082 | 0 | 4 | |a 791.4302/33092 |2 23 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a ReFocus. |p The films of Elaine May / |c edited by Alexandra Heller-Nicholas and Dean Brandum. |
| 246 | 3 | 0 | |a Films of Elaine May |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a ReFocus. The American directors series | |
| 505 | 0 | |a Intro -- ReFocus: The Films of Elaine May -- Copyright -- Contents -- Figures and Tables -- Notes on Contributors -- Acknowledgments -- Introduction: Who's Kidding?-Approaching Elaine May -- part 1 Beginnings -- 1 Teenagers on Stage-The Comedy of Elaine May and Mike Nichols -- Part 2 Critically Situating Elaine May -- 2 Hollywood Can't Wait: Elaine May and the Delusions of 1970s American Cinema -- 3 Dangerous Business-Elaine May as Existential Improviser -- Part 3 Elaine May's Films as Director -- 4 Kneeling on Glass-Elaine May's A New Leaf (1971) as Screwball Black Comedy | |
| 505 | 8 | |a 5 "Don't Put A Milky Way in Someone's Mouth When They Don't Want It": A Contemporary Feminist Rereading of Elaine May's The Heartbreak Kid (1972) -- 6 Mikey and Nicky (1976)-Elaine May and the Cassavetes Connection -- 7 Cartographies of Catastrophe-Elaine May's Ishtar (1987) -- Part 4 Collaborations/Revelations -- 8 In/Significant Gestures-Elaine May, Screen Performance, and Embodied Collaboration -- 9 Otto É. May(zo)-Elaine May's Screenplay of Otto Preminger's Such Good Friends (1971) as Affirmation that Hell is Other People | |
| 505 | 8 | |a 10 Spectral Elaine May-The Later Mike Nichols Collaborations and the Myth of the Recluse -- Conclusion -- 11 interview with allie hagan When in Doubt, Seduce: An Interview with Screenwriter Allie Hagan -- Bibliography -- Index | |
| 520 | |a This collection focuses both on the films Elaine May has directed, and also emphasises her work with other high profile collaborators such as John Cassavetes, Warren Beatty and Otto Preminger. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 600 | 1 | 0 | |a May, Elaine, |d 1932- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a May, Elaine, |d 1932- |2 fast |0 (OCoLC)fst00211166 |
| 650 | 0 | |a Motion picture producers and directors |z United States. | |
| 650 | 0 | |a Women motion picture producers and directors |z United States. | |
| 650 | 0 | |a Motion picture producers and directors. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z États-Unis. | |
| 650 | 6 | |a Productrices et réalisatrices de cinéma |z États-Unis. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma. | |
| 650 | 7 | |a filmmakers. |2 aat | |
| 650 | 7 | |a Motion picture producers and directors. |2 fast |0 (OCoLC)fst01027225 | |
| 650 | 7 | |a Women motion picture producers and directors. |2 fast |0 (OCoLC)fst01178163 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a May, Elaine, |d 1932- |e interviewee. | |
| 700 | 1 | |a Hagan, Allie, |e interviewer. | |
| 700 | 1 | |a Heller-Nicholas, Alexandra, |d 1974- |e editor. | |
| 700 | 1 | |a Brandum, Dean, |e editor. | |
| 776 | 0 | 8 | |i Print version: |z 9781474440189 |z 1474440185 |w (OCoLC)1113977570 |
| 830 | 0 | |a ReFocus, the American directors series. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctvnjbgrw |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH38032725 | ||
| 938 | |a YBP Library Services |b YANK |n 16511264 | ||
| 938 | |a EBSCOhost |b EBSC |n 2409605 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6145057 | ||
| 994 | |a 92 |b IZTAP | ||