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The visual is political : feminist photography and countercultural activity in 1970s Britain /
"The Visual is Political examines the growth of feminist photography as it unfolded in Britain during the 1970s and 1980s. This period in Britain was marked by instability following the collapse of the welfare state, massive unemployment, race riots, and workers' strikes. However, this was...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick :
Rutgers University Press,
[2019]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1124592502 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 191019s2019 njua ob 001 0 eng d | ||
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| 019 | |a 1129046265 |a 1136273254 |a 1175636843 | ||
| 020 | |a 9781978800359 |q (electronic bk.) | ||
| 020 | |a 1978800355 |q (electronic bk.) | ||
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| 020 | |z 9781978800328 | ||
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| 049 | |a UAMI | ||
| 100 | 1 | |a Klorman-Eraqi, Na'ama, |d 1979- |e author. | |
| 245 | 1 | 4 | |a The visual is political : |b feminist photography and countercultural activity in 1970s Britain / |c Na'ama Klorman-Eraqi. |
| 264 | 1 | |a New Brunswick : |b Rutgers University Press, |c [2019] | |
| 300 | |a 1 online resource (216 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 187-203) and index. | ||
| 505 | 0 | |a Cover; Title Page; Copyright; Dedication; Contents; List of Illustrations; 1. Introduction; 2. Feminist Photography and the Media; 3. Photography and the Street: Feminist Documentary; 4. Entering the Museum; 5. Conclusion and Afterthoughts; Acknowledgments; Notes; Bibliography; Index; About the Author | |
| 520 | |a "The Visual is Political examines the growth of feminist photography as it unfolded in Britain during the 1970s and 1980s. This period in Britain was marked by instability following the collapse of the welfare state, massive unemployment, race riots, and workers' strikes. However, this was also a time in which various forms of social activism emerged or solidified, including the Women's Movement, whose members increasingly turned to photography as a tool for their political activism. Rather than focusing on the aesthetic quality of the images produced, Klorman-Eraqi looks at the application of feminist theory, photojournalism, advertising, photo montage, punk subculture and aesthetics, and politicized street activity to emphasize the statement and challenge that the photographic language of these works posed. She shows both the utilitarian uses of photography in activism, but also how these same photographers went on to be accepted (or co-opted) into the mainstream art spaces little by little, sometimes with great controversy. The Visual is Political highlights the relevance and impact of an earlier contentious, creative, and politicized moment of feminism and photography as art and activism"-- |c Provided by publisher | ||
| 520 | |a "This book examines the phenomenon of feminist photography as it unfolded in Britain during the 1970s and 1980s. Klorman-Eraqi offers a unique analysis of the intersection between feminism and photography and the period's social conflicts and theoretical debates, and adds to the understanding of feminist countercultural practices produced in this moment and of their continuing relevance"-- |c Provided by publisher | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Feminism |z Great Britain |x History |y 20th century. | |
| 650 | 0 | |a Feminism and art |z Great Britain |x History |y 20th century. | |
| 650 | 0 | |a Women photographers |z Great Britain |x History |y 20th century. | |
| 651 | 0 | |a Great Britain |x Economic conditions |y 20th century. | |
| 650 | 6 | |a Féminisme |z Grande-Bretagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Féminisme et art |z Grande-Bretagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Femmes photographes |z Grande-Bretagne |x Histoire |y 20e siècle. | |
| 651 | 6 | |a Grande-Bretagne |x Conditions économiques |y 20e siècle. | |
| 650 | 7 | |a ART |x Art & Politics. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Women's Studies. |2 bisacsh | |
| 650 | 7 | |a ART |x History |x Contemporary (1945- ) |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Feminism & Feminist Theory. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x History. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x General. |2 bisacsh | |
| 650 | 7 | |a Economic history. |2 fast |0 (OCoLC)fst00901974 | |
| 650 | 7 | |a Feminism. |2 fast |0 (OCoLC)fst00922671 | |
| 650 | 7 | |a Feminism and art. |2 fast |0 (OCoLC)fst00922727 | |
| 650 | 7 | |a Women photographers. |2 fast |0 (OCoLC)fst01178288 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Klorman-Eraqi, Na'ama, 1979- |t Visual is political. |d New Brunswick : Rutgers University Press, [2019] |z 9781978800311 |w (DLC) 2018046487 |w (OCoLC)1054376780 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvscxrj3 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH36937410 | ||
| 938 | |a De Gruyter |b DEGR |n 9781978800359 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5945603 | ||
| 938 | |a EBSCOhost |b EBSC |n 2275729 | ||
| 938 | |a Project MUSE |b MUSE |n muse72697 | ||
| 994 | |a 92 |b IZTAP | ||