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Comics and Pop Culture : Adaptation from Panel to Frame /
<P>It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, whe...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Documento de Gobierno Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
2019.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
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| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
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| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Comics and Pop Culture : |b Adaptation from Panel to Frame / |c edited by Barry Keith Grant and Scott Henderson |
| 260 | |a Austin : |b University of Texas Press, |c 2019. | ||
| 300 | |a 1 online resource (xiv, 330 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Intro; Acknowledgments; Introduction (Barry Keith Grant and Scott Henderson); Part One. Issues and Debates; The Crossroads of Infinity, or Universum Incognitum (Scott Bukatman); From Adaptation to Extension: A History of Comics Adapting Films, 1976-2015 (Blair Davis); Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production (Liam Burke); Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues (Chris Reyns-Chikuma); Genre and Superhero Cinema (Aaron Taylor) | |
| 505 | 8 | |a Destroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives (Miriam Kent); Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation (Jason Rothery and Benjamin Woo); "We Roller Coaster Through . . .": Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies (Julian Hoxter); Adaptation and Seriality: Comic Book to Television Series Adaptations (Sherryl Vint); Part Two. Panels and Frames; Felix in-and out of-Space (J.P. Telotte) | |
| 505 | 8 | |a A Comic Book Life/Style: World Building in American Splendor (Matt Yockey); The Extraordinary Career of Modesty Blaise (James Chapman); Authenticity and Judge Dredd on Film (J. Mark Percival); CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? (James C. Taylor); Scott Pilgrim's Precious Little Texts: Adaptation, Form, and Transmedia Co-creation (John Bodner); Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero's Night of the Living Dead (Aviva Briefel) | |
| 505 | 8 | |a Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist (Scott Henderson); Black Panther: Aspiration, Identification, and Appropriation (Jeffrey A. Brown); Contributors; Index | |
| 520 | |a <P>It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as "Little Nemo in Slumberland" and "Felix the Cat" were animated for the silver screen. Representing diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies, <i>Comics and Pop Culture</i> presents more than a dozen perspectives on this rich history and the effects of such adaptations.</p><p>Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from <i>Modesty Blaise</i> to <i>Black Panther</i>. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.</p> | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Film adaptations |x History and criticism. | |
| 650 | 0 | |a Comic strip characters in motion pictures. | |
| 650 | 0 | |a Comic strip characters on television. | |
| 650 | 0 | |a Comic books, strips, etc. |x Film adaptations. | |
| 650 | 0 | |a Motion pictures and comic books. | |
| 650 | 0 | |a Mass media and culture. | |
| 650 | 6 | |a Adaptations cinématographiques |x Histoire et critique. | |
| 650 | 6 | |a Personnages de bandes dessinées, dessins animés, etc. à la télévision. | |
| 650 | 6 | |a Cinéma et bandes dessinées. | |
| 650 | 6 | |a Médias et culture. | |
| 650 | 7 | |a LITERARY CRITICISM / Comics & Graphic Novels |2 bisacsh | |
| 650 | 7 | |a Comic books, strips, etc. |2 fast | |
| 650 | 7 | |a Comic strip characters in motion pictures |2 fast | |
| 650 | 7 | |a Comic strip characters on television |2 fast | |
| 650 | 7 | |a Film adaptations |2 fast | |
| 650 | 7 | |a Mass media and culture |2 fast | |
| 650 | 7 | |a Motion pictures and comic books |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Film adaptations |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Grant, Barry Keith, |e editor | |
| 700 | 1 | |a Henderson, Scott, |e editor | |
| 776 | 0 | 8 | |i Print version: |a Grant, Barry Keith. |t Comics and Pop Culture : Adaptation from Panel to Frame. |d Austin : University of Texas Press, ©2019 |z 9781477319390 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7560/319383 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5928919 | ||
| 938 | |a EBSCOhost |b EBSC |n 2268907 | ||
| 938 | |a YBP Library Services |b YANK |n 16239844 | ||
| 994 | |a 92 |b IZTAP | ||