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Inventing cinema : machines, gestures and media history /

With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a "stable" moment in media history? Inventing Cinema proposes to approach t...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Turquety, Benoît (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: Amsterdam : Amsterdam University Press, [2019]
Colección:Cinema and technology (Amsterdam, Netherlands) ; 1.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Turquety, Benoît,  |e author. 
240 1 0 |a Inventer le cinéma.  |l English 
245 1 0 |a Inventing cinema :  |b machines, gestures and media history /  |c Benoît Turquety ; translated by Timothy Barnard. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2019] 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 1 |a Cinema and technology ;  |v 1 
505 0 |a Cover; Table of Contents; Acknowledgements; Introduction: The Problems of Digital Cinema; 1. The Why and How of Machines; 2. Invention, Innovation, History; 3. The Invention of the Problem; 4. The Invention of the Cinématographe; 5. 'Natural Colour Kinematography', a New Cinema Invention: Kinemacolor, Technical Network and Commercial Policies; 6. Epilogue; Bibliography; Index 
520 |a With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a "stable" moment in media history? Inventing Cinema proposes to approach this question through an archaeology and an epistemology of media machines. The archaeology analyses them as archives of users' gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines' designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, Inventing Cinema argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history. 
588 0 |a Online resource; title from digital title page (viewed on December 13, 2019). 
504 |a Includes bibliographical references (pages 249-263) and index. 
546 |a Translated from French. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
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650 0 |a Cinematography  |x History. 
650 0 |a Cinematography  |x Equipment and supplies. 
650 0 |a Motion pictures  |x Technique. 
650 0 |a Motion pictures  |x History. 
650 6 |a Cinéma  |x Histoire. 
650 6 |a Cinéma  |x Appareils et matériel. 
650 6 |a Cinéma. 
650 7 |a Film theory and criticism.  |2 bicssc 
650 7 |a Film production: technical and background skills.  |2 bicssc 
650 7 |a Industrial archaeology.  |2 bicssc 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Motion pictures  |x Technique  |2 fast 
650 7 |a Cinematography  |2 fast 
650 7 |a Cinematography  |x Equipment and supplies  |2 fast 
650 7 |a Motion pictures  |2 fast 
650 7 |a Cinéma  |x Appareils et matériel  |x Histoire.  |2 ram 
650 7 |a Cinéma  |x Technique  |x Histoire.  |2 ram 
650 7 |a Cinéma numérique.  |2 ram 
653 |a Film technology, media history, digital cinema, early cinema, media archaeology. 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Turquety, Benoît.  |t Inventing Cinema : Machines, Gestures and Media History.  |d Amsterdam : Amsterdam University Press, ©2019 
830 0 |a Cinema and technology (Amsterdam, Netherlands) ;  |v 1. 
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