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The museum as a cinematic space : the display of moving images in exhibitions /

With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Mandelli, Elisa (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2019]
Colección:Edinburgh studies in film and intermediality.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Part I. Between History and Modernity : Films in Exhibitions in the Twentieth Century
  • 1. Cinema, Museums, Memory and Education
  • The ocular evidence that is truthful and infallible par excellence' : Cinema, museums and the preservation of memory
  • The Educational Role of Cinema
  • Cinema, Museums and the Demands of Modern Life
  • 2. `A dimly-lighted corner' : Moving Images in Museums in the First Decades of the Twentieth Century
  • Museums and Movies : Cinema at the Imperial Institute
  • Films as Exhibits : Moving Images inside the Museums' Galleries
  • An Archive for the Preservation of Films at the Imperial War Museum
  • Trenches, Tanks and the Explosion of a Mine : Mutoscopes at the Imperial War Museum (1924-38)
  • Exception or Rule? Debating the Use of Moving Images in Museum Galleries
  • 3. Moving Images in Museums, World's Fairs and Avant-garde Exhibition Design
  • Twentieth-century Avant-gardes and Exhibition Design
  • The paradise of the exhibitor' : Museums and World's Fairs
  • Films at the New York Museum of Science and Industry
  • 4. The Multi-media Museum: The 1960s-70s
  • Museums and Films from UNESCO to World's Fairs
  • The exhibition as A Mosaic : Marshall McLuhan and Harley Parker
  • Museums and the AV Revolution'.
  • Part II. The Museum as a Cinematic Space : Museums and Moving Images in the Twenty-first Century
  • 5. From the Museum Experience to the Museum as an Experience
  • From Objects to Visitors : The Virtualisation of the Museum
  • Museums and the `Experience Economy'
  • Moving images and the Museum Experience
  • 6. Audio-visuals in Exhibitions
  • Archival Footage
  • Documentaries
  • Reconstructions and Fictional Films
  • Video Testimonies
  • 7. The Museum and its Spectres
  • The Mirror and the Portrait : The Widespread Museum of the Resistance in Turin
  • The `Ghosts' of the Witnesses : The In Flanders Fields Museum
  • Phantasmagoria
  • 8. A Walk through Images
  • Galleries, Projections and Cinematic Effects : The Trento Tunnels
  • A film in space : Peopling the Palaces at Venaria Reale
  • 9. New Interpretations of the Movie Theatre
  • 'A bit like a large cinema' : The Big Picture Show at the Imperial War Museum North
  • A Movie Theatre inside the Museum : The Historial Charles de Gaulle
  • 10. Touching Images
  • Touching, Browsing : Interactive Tables
  • Rewriting space : The Museum Laboratory of the Mind
  • Interactions/Interrelations.