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The museum as a cinematic space : the display of moving images in exhibitions /
With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2019]
|
| Colección: | Edinburgh studies in film and intermediality.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Mandelli, Elisa, |e author. | |
| 245 | 1 | 4 | |a The museum as a cinematic space : |b the display of moving images in exhibitions / |c Elisa Mandelli. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (xii, 160 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Edinburgh Studies in Film and Intermediality | |
| 504 | |a Includes bibliographical references (pages 139-156) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design. | ||
| 505 | 0 | 0 | |g Part I. |t Between History and Modernity : Films in Exhibitions in the Twentieth Century -- |g 1. |t Cinema, Museums, Memory and Education -- |t The ocular evidence that is truthful and infallible par excellence' : Cinema, museums and the preservation of memory -- |t The Educational Role of Cinema -- |t Cinema, Museums and the Demands of Modern Life -- |g 2. |t `A dimly-lighted corner' : Moving Images in Museums in the First Decades of the Twentieth Century -- |t Museums and Movies : Cinema at the Imperial Institute -- |t Films as Exhibits : Moving Images inside the Museums' Galleries -- |t An Archive for the Preservation of Films at the Imperial War Museum -- |t Trenches, Tanks and the Explosion of a Mine : Mutoscopes at the Imperial War Museum (1924-38) -- |t Exception or Rule? Debating the Use of Moving Images in Museum Galleries -- |g 3. |t Moving Images in Museums, World's Fairs and Avant-garde Exhibition Design -- |t Twentieth-century Avant-gardes and Exhibition Design -- |t The paradise of the exhibitor' : Museums and World's Fairs -- |t Films at the New York Museum of Science and Industry -- |g 4. |t The Multi-media Museum: The 1960s-70s -- |t Museums and Films from UNESCO to World's Fairs -- |t The exhibition as A Mosaic : Marshall McLuhan and Harley Parker -- |t Museums and the AV Revolution'. |
| 505 | 0 | 0 | |g Part II. |t The Museum as a Cinematic Space : Museums and Moving Images in the Twenty-first Century -- |g 5. |t From the Museum Experience to the Museum as an Experience -- |t From Objects to Visitors : The Virtualisation of the Museum -- |t Museums and the `Experience Economy' -- |t Moving images and the Museum Experience -- |g 6. |t Audio-visuals in Exhibitions -- |t Archival Footage -- |t Documentaries -- |t Reconstructions and Fictional Films -- |t Video Testimonies -- |g 7. |t The Museum and its Spectres -- |t The Mirror and the Portrait : The Widespread Museum of the Resistance in Turin -- |t The `Ghosts' of the Witnesses : The In Flanders Fields Museum -- |t Phantasmagoria -- |g 8. |t A Walk through Images -- |t Galleries, Projections and Cinematic Effects : The Trento Tunnels -- |t A film in space : Peopling the Palaces at Venaria Reale -- |g 9. |t New Interpretations of the Movie Theatre -- |t 'A bit like a large cinema' : The Big Picture Show at the Imperial War Museum North -- |t A Movie Theatre inside the Museum : The Historial Charles de Gaulle -- |g 10. |t Touching Images -- |t Touching, Browsing : Interactive Tables -- |t Rewriting space : The Museum Laboratory of the Mind -- |t Interactions/Interrelations. |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
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| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 650 | 0 | |a Museums in motion pictures. | |
| 650 | 0 | |a Museums and motion pictures. | |
| 650 | 0 | |a Motion pictures |v Exhibitions. | |
| 650 | 6 | |a Musées au cinéma. | |
| 650 | 6 | |a Musées et cinéma. | |
| 650 | 7 | |a 05.37 film, video. |0 (NL-LeOCL)077592735 |2 bcl | |
| 650 | 7 | |a ART |x Collections, Catalogs, Exhibitions |x General. |2 bisacsh | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Museums and motion pictures. |2 fast |0 (OCoLC)fst01030215 | |
| 650 | 7 | |a Museums in motion pictures. |2 fast |0 (OCoLC)fst01903990 | |
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| 650 | 7 | |a Exponat |2 gnd | |
| 650 | 7 | |a Multimedia |2 gnd | |
| 650 | 7 | |a Museumskunde |2 gnd | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Exhibition catalogs. |2 fast |0 (OCoLC)fst01424028 | |
| 776 | 0 | 8 | |i Print version: |a Mandelli, Elisa. |t Museum as a cinematic space. |d Edinburgh : Edinburgh University Press, [2019] |z 9781474416795 |w (OCoLC)1039928892 |
| 830 | 0 | |a Edinburgh studies in film and intermediality. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctvnjbh8k |z Texto completo |
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