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Tradition in the frame : photography, power, and imagination in Sfakia, Crete /

"Sfakians on the island of Crete are known for their distinctive dress and appearance, fierce ruggedness, and devotion to traditional ways. Konstantinos Kalantzis explores how Sfakians live with the burdens and pleasures of maintaining these expectations of exoticism for themselves, for their f...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kalantzis, Konstantinos (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana : Indiana University Press, [2019]
Colección:New anthropologies of Europe.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Tradition in the frame :  |b photography, power, and imagination in Sfakia, Crete /  |c Konstantinos Kalantzis. 
264 1 |a Bloomington, Indiana :  |b Indiana University Press,  |c [2019] 
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505 0 |a Introduction -- Part I. Spatial and National Contexts. 1. Driving Up the Yellow Lines: Geography and Imagination -- 2. Sfakians in the Nation-State -- Part II. On Power. 3. Mountain Men as Photographic Subjects and Spectators -- 4. Performing the Stereotype: Between Containment and "Recalcitrant Alterity" -- 5. The Experiential in the Fictive: A Film Shoot as Visceral History -- 6. Who Is Imagining? The Encounter between Shepherds and Scientists -- Part III. Modernity and Its Discontents. 7. Polluting Modernity, Disturbing Pasts: Photography and Montage Logic -- 8. Sfakians and Tourists -- Epilogue 
520 |a "Sfakians on the island of Crete are known for their distinctive dress and appearance, fierce ruggedness, and devotion to traditional ways. Konstantinos Kalantzis explores how Sfakians live with the burdens and pleasures of maintaining these expectations of exoticism for themselves, for their fellow Greeks, and for tourists. Sfakian performance of masculine tradition has become even more meaningful for Greeks looking to reimagine their nation's global standing in the wake of stringent financial regulation, and for non-Greek tourists yearning for rootedness and escape from the post-industrial north. Through fine-grained ethnography that pays special attention to photography, Tradition in the Frame explores the ambivalence of a society expected to conform to outsiders' perception of the traditional even as it strives to enact its own vision of tradition. From the bodily reenactment of historical photographs to the unpredictable, emotionally-charged uses of postcards and commercial labels, the book unpacks the question of power and asymmetry but also uncovers other political possibilities that are nested in visual culture and experiences of tradition and the past. Kalantzis explores the crossroads of cultural performance and social imagination where the frame is both empowerment and subjection."--  |c Provided by publisher 
504 |a Includes bibliographical references (pages 293-307) and index. 
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650 0 |a Photography in ethnology  |z Greece  |z Sphakia District. 
651 0 |a Sphakia District (Greece)  |x Social life and customs. 
650 0 |a Tourism  |z Greece  |z Sphakia District. 
650 0 |a Masculinity  |z Greece  |z Sphakia District. 
650 0 |a Visual anthropology. 
650 6 |a Anthropologie visuelle. 
650 7 |a PHOTOGRAPHY  |x Criticism.  |2 bisacsh 
650 7 |a Visual anthropology.  |2 fast  |0 (OCoLC)fst01167995 
650 7 |a Manners and customs.  |2 fast  |0 (OCoLC)fst01007815 
650 7 |a Masculinity.  |2 fast  |0 (OCoLC)fst01011027 
650 7 |a Photography in ethnology.  |2 fast  |0 (OCoLC)fst01061856 
650 7 |a Tourism.  |2 fast  |0 (OCoLC)fst01153142 
651 7 |a Greece  |z Sphakia District.  |2 fast  |0 (OCoLC)fst01245916 
650 7 |a Photographie ethnographique  |z Grèce.  |2 ram 
650 7 |a Anthropologie visuelle.  |2 ram 
650 7 |a Moeurs et coutumes  |z Crète (Grèce).  |2 ram 
776 0 8 |i Print version:  |a Kalantzis, Konstantinos.  |t Tradition in the frame.  |d Bloomington, Indiana : Indiana University Press, ©2019  |w (OCoLC)1019642914 
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