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|a 791.4372
|2 23
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|a UAMI
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|a McCrea, Christian,
|e author.
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|a Dune /
|c Christian McCrea.
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|a Leighton Buzzard :
|b Auteur,
|c 2019.
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|a 1 online resource :
|b illustrations
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|a text
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|a Devil's advocates
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|a Includes bibliographical references.
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|a Vendor-supplied metadata.
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|a Intro; Contents; Introduction; 1. A Dream Unfolds: Before Dune; 2. The Weirding Way: The Makers of Dune; 3. Mind in Motion: Watching Dune; 4. The Sleeper has awakened: After Dune; 5. The Golden Path; Bibliography
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|a David Lynch's Dune (1984) is the film that science fiction'and the director's most ardent fans'can neither forgive nor forget. Frank Herbert's original 1965 novel built a meticulous universe of dark majesty and justice, as wild-eyed freedom fighters and relentless authoritarians all struggled for control of the desert planet Arrakis and its mystical, life-extending 'spice.' After several attempts to produce a film, Italian movie mogul Dino De Laurentiis and his producer daughter Raffaella would enlist David Lynch, whose Eraserhead (1977) and The Elephant Man (1980) had already marked him out as a visionary director. What emerges out of their strange, long process is a deeply unique vision of the distant future; an eclectic bazaar of wood-turned spaceship interiors, spitting tyrants, and dream montages. Lynch's film was 'steeped in an ancient primordial nastiness that has nothing to do with the sci-fi film as we currently know it, ' as Village Voice critic J. Hoberman put it'only with time becoming a cult classic. This book is the first long-form critical study of the film; it delves into the relationship with the novel, the rapidly changing context of early 1980s science fiction, and takes a close look at Lynch's attempt to breathe sincerity and mysticism into a blockbuster movie format that was shifting radically around him.
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|a Dune (Motion picture : 1984)
|x Criticism, interpretation, etc.
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|a PERFORMING ARTS
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|x History & Criticism.
|2 bisacsh
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655 |
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|a Criticism, interpretation, etc.
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|0 (OCoLC)fst01411635
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|a Constellations (Leighton Buzzard, England)
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv13841n4
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