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The 'imagined sound' of Australian literature and music /

'Imagined Sound' is a unique cartography of the artistic, historical and political forces that have informed the post-World War II representation of Australian landscapes. It is the first book to formulate the unique methodology of 'imagined sound', a new way to read and listen t...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Cummins, Joseph (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London, UK : Anthem Press, 2019.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Cummins, Joseph,  |e author. 
245 1 5 |a The 'imagined sound' of Australian literature and music /  |c Joseph Cummins. 
264 1 |a London, UK :  |b Anthem Press,  |c 2019. 
300 |a 1 online resource (1 volume) 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references and index. 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed September 10, 2019). 
520 8 |a 'Imagined Sound' is a unique cartography of the artistic, historical and political forces that have informed the post-World War II representation of Australian landscapes. It is the first book to formulate the unique methodology of 'imagined sound', a new way to read and listen to literature and music that moves beyond the dominance of the visual, the colonial mode of knowing, controlling and imagining Australian space. Emphasising sound and listening, this approach draws out and re-examines the key narratives that shape and are shaped by Australian landscapes and histories, stories of first contact, frontier violence, the explorer journey, the convict experience, non-Indigenous belonging, Pacific identity and contemporary Indigenous Dreaming. 
505 0 |a Preface; Acknowledgements; Introduction -- Imagined Sound; Part One: Listening to the Continent; 1. Reimagining 'the centre': Francis Webb's 'Eyre All Alone' and David Lumsdaine's Aria for Edward John Eyre; 2. Midnight Oil: Sounding Australian Rock around the Bicentenary; 3. Sound and Silence: Listening and Relation in the Novels of Alex Miller; Part Two: Listening to Islands and Archipelagos; 4. An Archipelago of Convicts and Outsiders: The Songs of The Drones and Gareth Liddiard; 5. Echoes between Van Diemen's Land and Tasmania: The Space of the Island in Richard Flanagan's Death of a River Guide and Carmel Bird's Cape Grimm; 6. A Sonic Passage Between Islands: Mutiny Music by Baecastuff; Part Three: Listening to the Continental Archipelago; 7. Noisy Songlines in the Top End; Coda; Notes; Works Cited; Index." 
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650 0 |a Australian literature  |x History and criticism. 
650 0 |a Music and literature  |z Australia. 
650 0 |a Music  |z Australia  |x History and criticism. 
651 0 |a Australia  |x In literature. 
650 6 |a Littérature australienne  |x Histoire et critique. 
650 6 |a Musique et littérature  |z Australie. 
650 6 |a Musique  |z Australie  |x Histoire et critique. 
651 6 |a Australie  |x Dans la littérature. 
650 7 |a Australian literature  |2 fast 
650 7 |a Literature  |2 fast 
650 7 |a Music  |2 fast 
650 7 |a Music and literature  |2 fast 
651 7 |a Australia  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a CUMMINS, JOSEPH.  |t 'IMAGINED SOUND' OF AUSTRALIAN LITERATURE AND MUSIC.  |d [Place of publication not identified] : ANTHEM PRESS, 2019  |z 1785270915  |w (OCoLC)1101981664 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvnwc0zq  |z Texto completo 
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