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Music, value, and the passions /
For a century there has been a divergence between what music theorists say music is about and what the ordinary listener actually experiences. Music theory has insisted on a separation of musical experience from the experience of emotions, from the passions. Yet a passionate experience of music is j...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ithaca :
Cornell University Press,
1995.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 190822s1995 nyu ob 001 0 eng d | ||
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| 020 | |a 0801430356 | ||
| 020 | |a 9780801430350 | ||
| 020 | |a 9781501744778 |q (electronic bk.) | ||
| 020 | |a 1501744771 |q (electronic bk.) | ||
| 035 | |a (OCoLC)1112686342 | ||
| 037 | |a 22573/ctvr6q107 |b JSTOR | ||
| 050 | 4 | |a ML3847 |b .R53 1995 | |
| 072 | 7 | |a MUS |x 020000 |2 bisacsh | |
| 082 | 0 | 4 | |a 781/.1 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Ridley, Aaron, |e author. | |
| 245 | 1 | 0 | |a Music, value, and the passions / |c Aaron Ridley. |
| 264 | 1 | |a Ithaca : |b Cornell University Press, |c 1995. | |
| 300 | |a 1 online resource (xi, 199 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a 1. Music and the passions -- 2. Value and the passions -- 3. Understanding music -- 4. Musical melisma -- 5. Melisma assessed -- 6. Musical sympathies -- 7. Distressing music -- 8. Musical empathies -- Conclusion. | |
| 520 | |a For a century there has been a divergence between what music theorists say music is about and what the ordinary listener actually experiences. Music theory has insisted on a separation of musical experience from the experience of emotions, from the passions. Yet a passionate experience of music is just what most ordinary listeners have. Charting a new course through the minefield of contemporary philosophy of music, Aaron Ridley provides a coherent defense of the ordinary listener's beliefs. | ||
| 520 | 8 | |a Focusing on instrumental music in the classical Western canon, Ridley defends the commonsense position on music and attempts to return the experience of music to the ordinary listener. He argues that, through a sympathetic experience of certain musical gestures, the listener is able to grasp the passions of which the music is expressive. If the passions are properly understood, he contends, there is a place for passion in a philosophical understanding of music. Similarly, the expression of passion may properly be considered part of the value of the music we hear. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Emotions in music. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Emotions in music |2 fast | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Musikphilosophie |2 gnd | |
| 650 | 7 | |a Musikästhetik |2 gnd | |
| 653 | 0 | |a Music | |
| 776 | 0 | 8 | |i Print version: |a Ridley, Aaron. |t Music, value, and the passions. |d Ithaca : Cornell University Press, 1995 |z 0801430356 |w (DLC) 94042018 |w (OCoLC)31655600 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7591/j.ctvr7f3fg |z Texto completo |
| 938 | |a EBSCOhost |b EBSC |n 2233523 | ||
| 938 | |a Internet Archive |b INAR |n musicvaluepassio00ridl | ||
| 994 | |a 92 |b IZTAP | ||