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Drama of a Nation : Public Theater in Renaissance England and Spain /
During the sixteenth and seventeenth centuries, in the midst of an international florescence of drama, the English and Spanish theaters displayed striking and unique similarities. Although these two national theaters developed in relative isolation from each other, in both countries the plays synthe...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ithaca, NY :
Cornell University Press,
[2019]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cohen, Walter, |e author. | |
| 245 | 1 | 0 | |a Drama of a Nation : |b Public Theater in Renaissance England and Spain / |c Walter Cohen. |
| 264 | 1 | |a Ithaca, NY : |b Cornell University Press, |c [2019] | |
| 264 | 4 | |c ©1988 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t PREFACE -- |t INTRODUCTION -- |t 1. Medieval Theater and the Structure of Feudalism -- |t 2. Renaissance Theater and the Transition from Feudalism to Capitalism -- |t 3. The Emergence of the Public Theater -- |t 4. Aristocratic Adaptation: Romantic Comedy and the National History Play -- |t 5. The Crisis of the Public Theater -- |t 6. Aristocratic Failure: Satiric Comedy and the Forms of Serious Drama -- |t 7. The Passing of the Public Theater: Intrigue Tragedy and Romance -- |t Conclusion -- |t Index |
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019). | |
| 520 | |a During the sixteenth and seventeenth centuries, in the midst of an international florescence of drama, the English and Spanish theaters displayed striking and unique similarities. Although these two national theaters developed in relative isolation from each other, in both countries the plays synthesized native popular traditions and neoclassical learned conventions, a synthesis found neither in the more elite Italian and French drama of the time nor in any other European drama before or since. In Drama of a Nation, Walter Cohen illuminates the causes of this significant parallel development.Working from a Marxist perspective, Cohen seeks to establish correlations among individual plays, dramatic genres, theatrical institutions, cultural milieus, and political and economic systems. He argues that the drama owed its distinctiveness to the public theaters, especially of London and Madrid, which opened in the 1570s and closed, under government order, seventy years later. Both drama and theater in turn depended on a relative cultural homogeneity perpetuated by a state that primarily served the aristocracy. Absolutism, he maintains, first fostered and then undermined the public theater. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism. | |
| 650 | 0 | |a English drama |y 17th century |x History and criticism. | |
| 650 | 0 | |a Spanish drama |y Classical period, 1500-1700 |x History and criticism. | |
| 650 | 0 | |a Comparative literature |x English and Spanish. | |
| 650 | 0 | |a Comparative literature |x Spanish and English. | |
| 650 | 0 | |a Theater |z England |x History |y 16th century. | |
| 650 | 0 | |a Theater |z England |x History |y 17th century. | |
| 650 | 0 | |a Renaissance |z England. | |
| 650 | 0 | |a Renaissance |z Spain. | |
| 650 | 4 | |a England. | |
| 650 | 4 | |a Performing Arts & Drama. | |
| 650 | 6 | |a Théâtre anglais |y 16e siècle |x Histoire et critique. | |
| 650 | 6 | |a Théâtre anglais |y 17e siècle |x Histoire et critique. | |
| 650 | 6 | |a Théâtre |z Angleterre |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Théâtre |z Angleterre |x Histoire |y 17e siècle. | |
| 650 | 6 | |a Renaissance |z Angleterre. | |
| 650 | 6 | |a Renaissance |z Espagne. | |
| 650 | 7 | |a LITERARY CRITICISM / Medieval. |2 bisacsh | |
| 650 | 7 | |a Comparative literature |x English and Spanish. |2 fast |0 (OCoLC)fst01750848 | |
| 650 | 7 | |a Comparative literature |x Spanish and English. |2 fast |0 (OCoLC)fst01750854 | |
| 650 | 7 | |a English drama. |2 fast |0 (OCoLC)fst00910737 | |
| 650 | 7 | |a English drama |x Early modern and Elizabethan. |2 fast |0 (OCoLC)fst01710950 | |
| 650 | 7 | |a Renaissance. |2 fast |0 (OCoLC)fst01094518 | |
| 650 | 7 | |a Spanish drama |x Classical period. |2 fast |0 (OCoLC)fst01710999 | |
| 650 | 7 | |a Theater. |2 fast |0 (OCoLC)fst01149217 | |
| 651 | 7 | |a England. |2 fast |0 (OCoLC)fst01219920 | |
| 651 | 7 | |a Spain. |2 fast |0 (OCoLC)fst01204303 | |
| 648 | 7 | |a 1500-1700 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7591/j.ctvr7f81x |z Texto completo |
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