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Writing across cultures /

"New and experienced teachers examine ways their training has--or has not--prepared them for issues of race, power, and authority in classrooms. Includes activities to examine issues such as white privilege, and racism in a democratic society and provides a framework to create safe spaces"...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Eddy, Robert (Robert F.) (Autor), Espinosa-Aguilar, Amanda (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Logan : Utah State University Press, [2019]
Temas:
Acceso en línea:Texto completo

MARC

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049 |a UAMI 
100 1 |a Eddy, Robert  |q (Robert F.),  |e author. 
245 1 0 |a Writing across cultures /  |c Robert Eddy and Amanda Espinosa-Aguilar. 
264 1 |a Logan :  |b Utah State University Press,  |c [2019] 
264 4 |c ©2019 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
520 |a "New and experienced teachers examine ways their training has--or has not--prepared them for issues of race, power, and authority in classrooms. Includes activities to examine issues such as white privilege, and racism in a democratic society and provides a framework to create safe spaces"--Provided by publisher 
504 |a Includes bibliographical references and index. 
588 0 |a Online resource; title from PDF title page (EBSCO; viewed July 19, 2019) 
505 0 |a Intro; Contents; Acknowledgments; Preface: How Writing Across Cultures Positions Itself in Current Rhetoric, Writing, Racism, and Diversity Scholarship; Introduction; 1. Home Culture(s), Academic Discourse, Critical Reading, and the Eddy Model of Intercultural Experience; 2. Entrance to the Preliminary Stage: Brainstorming about Culture; 3. The Preliminary Stage, Part 2: Prewriting Using the Eddy Method; 4. The Spectator Stage: First Draft; 5. The Increasing-Participation Stage: Working Drafts and Revision; 6. The Shock Stage: Writer's Block and Fear of Change 
505 8 |a 7. Convincing the Audience by Using Edited American English8. The Adaptation Stage: Final Drafts and Congruence; 9. The Reentry Stage: Future Compositions and Dissonant Voices; 10. Cultural Meshing or Switching in Poly- or Intercultural Writing Classes; References; Index 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a English language  |x Rhetoric  |x Study and teaching  |x Evaluation. 
650 0 |a Critical discourse analysis  |x Social aspects. 
650 0 |a Multiculturalism in literature. 
650 0 |a Racism in language. 
650 6 |a Analyse critique du discours  |x Aspect social. 
650 6 |a Multiculturalisme dans la littérature. 
650 6 |a Racisme dans le langage. 
650 7 |a English language  |x Rhetoric  |x Study and teaching  |x Evaluation  |2 fast 
650 7 |a Multiculturalism in literature  |2 fast 
650 7 |a Racism in language  |2 fast 
700 1 |a Espinosa-Aguilar, Amanda,  |e author. 
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938 |a EBSCOhost  |b EBSC  |n 2201307 
994 |a 92  |b IZTAP