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|a 1298440178
|a 1370509887
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|a 9780691189840
|q (electronic book)
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|a 0691189846
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|a 700.1/030973
|2 23
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|a UAMI
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1 |
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|a Lena, Jennifer C.,
|e author.
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245 |
1 |
0 |
|a Entitled :
|b discriminating tastes and the expansion of the arts /
|c Jennifer C. Lena.
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246 |
3 |
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|a Discriminating tastes and the expansion of the arts
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264 |
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|a Princeton, New Jersey :
|b Princeton University Press,
|c [2019]
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300 |
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|a 1 online resource (xiv, 231 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
|b cr
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504 |
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|a Includes bibliographical references and index.
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0 |
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|a Cover; Title Page; Copyright Page; Contents; Preface; Acknowledgments; 1 The Invention of American Art, 1825-1945; Museums and Symphony Orchestras; Rationalizing Governance; The Second Wave: Ballet, Modern Dance, Theater, and Opera; Early Life Exposure; What Is an "American Art"?; Heading into the Great Depression; 2 The WPA and the Opening of the American Arts; The WPA's Impact; A Cultural Democracy; The Long Arm of WPA Influence: Artists, Organizations, Administrators; Conclusion; 3 The Museum of Primitive Art, 1940-1982; Nelson Rockefeller, Art Collector
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505 |
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|a Primitive and Modern: Frontiers of Legitimacy in the MidcenturyInventing the Field of Primitive Art; Influencing the Postcolonial Art World; Move to the Met; Primitive Art and Artistic Legitimation; Conclusion; 4 Opportunity Structures; Economic, Political, and Technological Change; Changes to Regulations; Changes within Arts Nonprofits; Changes to Funding; Conclusion; 5 Expansion: 1900-2000; Building a Model of Aesthetic Legitimation; Conclusion; 6 Cultural Appropriation; Cosmopolitanism; Slumming; Monet's Kimono; Chinatown Plaid; Conclusion; 7 Conclusion
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505 |
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|a Twentieth-Century American Artistic Legitimation, in BriefTrajectories; Aesthetic Continuities across Legitimizing Fields; Alliances with Legitimate Fields; People Power; Appropriation from Outside; Never Art: Kitsch; Partial Legitimation: Designer Toys; Appendix: Methodological Appendix; Notes; Works Cited; Index
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520 |
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|a "This book examines the process by which the American arts expanded, over the course of more than a century, to include not just "classical" arts like opera and portraiture, but forms of folk, vernacular, and popular culture"--
|c Provided by publisher
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588 |
0 |
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|a Online resource; title from digital title page (viewed on August 07, 2019).
|
590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
|
0 |
|a Arts and society
|z United States.
|
650 |
|
0 |
|a Art and popular culture
|z United States.
|
650 |
|
0 |
|a Art, American.
|
650 |
|
6 |
|a Arts et société
|z États-Unis.
|
650 |
|
6 |
|a Art et culture populaire
|z États-Unis.
|
650 |
|
6 |
|a Art américain.
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x Sociology
|x General.
|2 bisacsh
|
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|
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|a Art, American.
|2 fast
|0 (OCoLC)fst00815895
|
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|
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|a Art and popular culture.
|2 fast
|0 (OCoLC)fst00815422
|
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|
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|a Arts and society.
|2 fast
|0 (OCoLC)fst00817856
|
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|
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|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
776 |
0 |
8 |
|i Ebook version :
|z 9780691189840
|
776 |
0 |
8 |
|i Print version:
|a Lena, Jennifer C.
|t Entitled.
|d Princeton, New Jersey : Princeton University Press, [2019]
|z 9780691158914
|z 0691158916
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvdf0j8b
|z Texto completo
|
938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH36531645
|
938 |
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|a De Gruyter
|b DEGR
|n 9780691189840
|
938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL5830711
|
938 |
|
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|a EBSCOhost
|b EBSC
|n 2043372
|
938 |
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|a Project MUSE
|b MUSE
|n muse74456
|
994 |
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|a 92
|b IZTAP
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