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|a UAMI
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|a Sheehi, Stephen,
|d 1967-
|e author.
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|a The Arab imago :
|b a social history of portrait photography, 1860-1910 /
|c Stephen Sheehi.
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|a Social history of portrait photography, 1860-1910
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|a Princeton :
|b Princeton University Press,
|c [2016]
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|c ©2016
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|a 1 online resource (xxxix, 220 pages) :
|b 76 illustrations (black and white), portraits
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|a text
|b txt
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|a still image
|b sti
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|a computer
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|a online resource
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|a Includes bibliographical references (pages 207-220) and index.
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|a "The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem--photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Frères, Pascal Sébah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif'at Pasha--as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores Indigenous photography manuals and albums, newspapers, scientific journals, and fiction. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of Indigenous photography and challenges previous histories of the medium"--Publisher's description.
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|a Description based on print record and online resource (A&AePortal, viewed on July 2, 2019).
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|a Part I. Histories and Practice -- Chapter 1. An empire of photographs : Abdullah Freres and the Osmanlilik ideology -- Chapter 2. The Arab imago : Jurji Saboungi and the Nahdah image-screen -- Chapter 3. The carte de visite : the sociability of new men and women -- Chapter 4. Writing photography : technomateriality and the verum factum -- Part II. Case Studies and Theory -- Chapter 5. Portrait paths : the sociability of the photographic portrait -- Chapter 6. Stabilizing portraits, stabilizing modernity -- Chapter 7. The latent and the afterimage -- Chapter 8. The mirror of two sanctuaries and three photographers -- Epilogue: On the cusp of Arab Ottoman photography.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Portrait photography
|z Middle East
|x History
|y 19th century.
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|a Photography
|x Social aspects
|z Middle East
|x History
|y 19th century.
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|a Portrait photography
|z Middle East
|x History
|y 20th century.
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|a Photography
|x Social aspects
|z Middle East
|x History
|y 20th century.
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|a Arabs
|v Portraits.
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|a Arabes
|v Portraits.
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|a PHOTOGRAPHY / History
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|a Arabs
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|a Portrait photography
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|a Middle East
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|a 1800-1999
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|a portraits.
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|a History
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|i Print version:
|a Sheehi, Stephen, 1967-
|t Arab imago
|z 9780691151328
|w (DLC) 2015030517
|w (OCoLC)920469687
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1qgnq7m
|z Texto completo
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|a Project MUSE
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|a Askews and Holts Library Services
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|n AH39007459
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|a ProQuest Ebook Central
|b EBLB
|n EBL6665847
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|a 92
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