Cargando…
Fellow men : Fantin-Latour and the problem of the group in nineteenth-century French painting /
"Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting.... Bridget Alsdor...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, NJ :
Princeton University Press,
[2013]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1107050796 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr un||||||||| | ||
| 008 | 190702s2013 njua ob 001 0 eng d | ||
| 040 | |a YUS |b eng |e rda |e pn |c YUS |d YUS |d OCL |d OCLCO |d JSTOR |d YWS |d UKAHL |d OCLCQ |d OCLCO |d YDX | ||
| 020 | |a 9780300249682 |q (ebook) | ||
| 020 | |a 0300249683 |q (ebook) | ||
| 020 | |a 9781400845125 |q (electronic bk.) | ||
| 020 | |a 1400845122 |q (electronic bk.) | ||
| 020 | |z 9780691153674 |q (hardcover ; |q alkaline paper) | ||
| 020 | |z 0691153671 |q (hardcover ; |q alkaline paper) | ||
| 024 | 8 | |z 40021701624 | |
| 029 | 1 | |a AU@ |b 000072179873 | |
| 035 | |a (OCoLC)1107050796 | ||
| 037 | |a 22573/ctv2gp8m2t |b JSTOR | ||
| 043 | |a e-fr--- | ||
| 050 | 4 | |a ND553.F32 |b A85 2013eb | |
| 072 | 7 | |a ART |x 015100 |2 bisacsh | |
| 072 | 7 | |a ART |x 009000 |2 bisacsh | |
| 072 | 7 | |a ART |x 015030 |2 bisacsh | |
| 082 | 0 | 4 | |a 759.4 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Alsdorf, Bridget, |e author. | |
| 245 | 1 | 0 | |a Fellow men : |b Fantin-Latour and the problem of the group in nineteenth-century French painting / |c Bridget Alsdorf. |
| 264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2013] | |
| 300 | |a 1 online resource (333 pages) : |b 169 illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 309-322) and index. | ||
| 505 | 2 | |a The self in group portraiture -- A crisis of pride -- Studio of the self -- Deviance and disappearance -- The Irregularists. | |
| 520 | |a "Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting.... Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde. A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics over the course of two decades, from 1864 to 1885. This was a period of dramatic change in French history and art--events like the Paris Commune and the rise and fall of impressionism raised serious doubts about the power of collectivism in art and life. Fantin-Latour's monumental group portraits, and related works by his friends and colleagues from the 1850s through the 1880s, represent varied visions of collective identity and test the limits of association as both a social and an artistic pursuit. By examining the bonds and frictions that animated their social circles, Fantin-Latour and his cohorts developed a new pictorial language for the modern group: one of fragmentation, exclusion, and willful withdrawal into interior space that nonetheless presented individuality as radically relational"--Publisher's description. | ||
| 588 | |a Description based on print record and online resource (A&AePortal, viewed on July 2, 2019). | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Fantin-Latour, Henri, |d 1836-1904 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Fantin-Latour, Henri, |d 1836-1904 |2 fast |
| 650 | 0 | |a Portraits, Group |z France. | |
| 650 | 0 | |a Artists |z France |v Portraits. | |
| 650 | 0 | |a Group identity in art. | |
| 650 | 0 | |a Portrait painting, French |y 19th century. | |
| 650 | 0 | |a Art and society |z France |x History |y 19th century. | |
| 650 | 6 | |a Portraits de groupe |z France. | |
| 650 | 6 | |a Artistes |z France |v Portraits. | |
| 650 | 6 | |a Identité collective dans l'art. | |
| 650 | 6 | |a Peinture de portraits française |y 19e siècle. | |
| 650 | 6 | |a Art et société |z France |x Histoire |y 19e siècle. | |
| 650 | 7 | |a ART / History / Modern (late 19th Century to 1945) |2 bisacsh | |
| 650 | 7 | |a Art and society |2 fast | |
| 650 | 7 | |a Artists |2 fast | |
| 650 | 7 | |a Group identity in art |2 fast | |
| 650 | 7 | |a Portrait painting, French |2 fast | |
| 650 | 7 | |a Portraits, Group |2 fast | |
| 651 | 7 | |a France |2 fast | |
| 648 | 7 | |a 1800-1899 |2 fast | |
| 655 | 7 | |a portraits. |2 aat | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a Portraits |2 fast | |
| 655 | 7 | |a Portraits. |2 lcgft | |
| 655 | 7 | |a Portraits. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |a Alsdorf, Bridget. |t Fellow men |z 9780691153674 |w (DLC) 2012009584 |w (OCoLC)779740430 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2gs4gbg |z Texto completo |
| 938 | |a YBP Library Services |b YANK |n 302846755 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH39986457 | ||
| 994 | |a 92 |b IZTAP | ||