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Emotion and the seduction of the senses, Baroque to neo-Baroque /
Emotion and the Seduction of the Senses, Baroque to Neo-Baroque examines the relationship between the cultural productions of the baroque in the seventeenth century and the neo-baroque in our contemporary world. It asks the question: 'Is the baroque a recurring phenomenon that has returned in a...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Kalamazoo :
Medieval Institute Publications, Western Michigan University,
[2018]
|
| Colección: | Studies in medieval and early modern culture ;
59. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Emotion and the seduction of the senses, Baroque to neo-Baroque / |c edited by Lisa Beaven and Angela Ndalianis |
| 264 | 1 | |a Kalamazoo : |b Medieval Institute Publications, Western Michigan University, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xxxii, 292 pages, 16 pages of plates) : |b color illustrations | ||
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| 490 | 1 | |a Studies in Medieval and Early Modern Culture ; |v 59 | |
| 520 | |a Emotion and the Seduction of the Senses, Baroque to Neo-Baroque examines the relationship between the cultural productions of the baroque in the seventeenth century and the neo-baroque in our contemporary world. It asks the question: 'Is the baroque a recurring phenomenon that has returned in aspects of contemporary global culture, or is it something specific to the early modern period?' It argues one of the common and central features of both styles is their appeal to emotion. This volume illuminates how, rather than providing rationally ordered visual realms, both the baroque and the neo-baroque construct complex performative spaces whose spectacle seeks to embrace, immerse and seduce the senses and solicit the emotions of the beholder | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Feeling Baroque in art and neuroscience : joy, sadness, pride, and a Spinozist solution to the quest for happiness / Monika Kaup -- The Baroque sublime : the affective power of landscape / Helen Langdon -- "Their jarring spheres confound" : John Milton's Paradise lost as a counter-Baroque war machine / Justin Clemens -- "To make them gaze in wonder" : emotional responses to stage scenery in seventeenth-century opera / Katrina Grant -- The role of emotions in the characters of Pedro Calderón de la Barca's Autos sacramentales / Javier de la Rosa, Adriana Soto-Corominas, and Juan Luis Suárez -- Clouds and calculated emotions in the production of neo-Baroque spatial illusions in Las Vegas hotels and casinos / Peter Krieger -- Mirrors of reason, illusion, and infinity : the case of the Villa Patrizi / David Marshall -- Infinite bodies : the Baroque, the Counter-Reformation relic and the body of James II / Matthew Martin -- Chican@ saints : the persistence of religious bodies in Mexican America / Kat Austin -- The ecstasy (?) of Saint Teresa / John Weretka -- Faith and fetish : objects and the body in Catholic devotional practice / Lisa Beaven -- Hannibal : Baroque horror vacui and the theatre of senses / Angela Ndalianis | |
| 588 | 0 | |a Print version record | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Emotions in art. | |
| 650 | 0 | |a Arts, Baroque |x Themes, motives. | |
| 650 | 0 | |a Arts, Baroque |x Influence. | |
| 650 | 0 | |a Arts, Modern |y 20th century |x Themes, motives. | |
| 650 | 0 | |a Arts, Modern |y 21st century |x Themes, motives. | |
| 650 | 0 | |a Arts |x Psychological aspects. | |
| 650 | 0 | |a Aesthetics, Baroque. | |
| 650 | 6 | |a Arts baroques |x Thèmes, motifs. | |
| 650 | 6 | |a Arts baroques |x Influence. | |
| 650 | 6 | |a Arts |y 20e siècle |x Thèmes, motifs. | |
| 650 | 6 | |a Arts |y 21e siècle |x Thèmes, motifs. | |
| 650 | 6 | |a Arts |x Aspect psychologique. | |
| 650 | 6 | |a Esthétique baroque. | |
| 650 | 7 | |a ART |x History |x Baroque & Rococo. |2 bisacsh | |
| 650 | 7 | |a Aesthetics, Baroque |2 fast | |
| 650 | 7 | |a Arts, Baroque |x Influence |2 fast | |
| 650 | 7 | |a Arts, Baroque |x Themes, motives |2 fast | |
| 650 | 7 | |a Arts, Modern |x Themes, motives |2 fast | |
| 650 | 7 | |a Arts |x Psychological aspects |2 fast | |
| 650 | 7 | |a Emotions in art |2 fast | |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 700 | 1 | |a Beaven, Lisa, |e editor. | |
| 700 | 1 | |a Ndalianis, Angela, |d 1960- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Emotion and the seduction of the senses, Baroque to neo-Baroque. |d Kalamazoo : Medieval Institute Publications, Western Michigan University, [2018] |z 9781580442718 |w (DLC) 2018011210 |w (OCoLC)990741525 |
| 830 | 0 | |a Studies in medieval and early modern culture ; |v 59. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvd1c8n2 |z Texto completo |
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