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|a 1391175695
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|a 9780300249712
|q (ebook)
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|z 9780691147444
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|q alkaline paper)
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|z 0691147442
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|a (OCoLC)1106559033
|z (OCoLC)1391175695
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|a 22573/ctv2gp8n3t
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|a UAMI
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|a Cole, Michael Wayne,
|d 1969-
|e author.
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|a Ambitious form :
|b Giambologna, Ammanati, and Danti in Florence /
|c Michael Cole.
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|a Giambologna, Ammanati, and Danti in Florence
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|a Princeton [N.J.] :
|b Princeton University Press,
|c [2011]
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|c ©2011
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|a 1 online resource (364 pages) :
|b 170 illustrations (chiefly black and white)
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|a text
|b txt
|2 rdacontent
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|a still image
|b sti
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a "Ambitious Form describes the transformation of Italian sculpture during the neglected half century between the death of Michelangelo and the rise of Bernini. The book follows the Florentine careers of three major sculptors, Giambologna, Bartolomeo Ammanati, and Vincenzo Danti, as they negotiated the politics of the Medici court and eyed one another's work, setting new aims for their art in process.... Michael Cole shows how the concerns of central Italian artists changed during the last decades of the Cinquecento. Whereas their predecessors had focused on specific objects and on the particularities of materials, late sixteenth-century sculptors turned their attention to models and design. The iconic figure gave way to the pose, individualized characters to abstractions. Above all, the multiplicity of master crafts that had once divided sculptors into those who fashioned gold or bronze or stone yielded to a more unifying aspiration, as nearly every ambitious sculptor, whatever his training, strove to become an architect."--Jacket.
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|a Description based on print record and online resource (A&AePortal, viewed on July 1, 2019).
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|a Models -- Professions -- Naturalism -- Pose -- Sculpture as architecture -- Chapels -- Sculpture in the city.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Giambologna,
|d 1529-1608
|x Criticism and interpretation.
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1 |
0 |
|a Ammannati, Bartolomeo,
|d 1511-1592
|x Criticism and interpretation.
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600 |
1 |
0 |
|a Danti, Vincenzo,
|d 1530-1576
|x Criticism and interpretation.
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1 |
7 |
|a Ammannati, Bartolomeo,
|d 1511-1592
|2 fast
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1 |
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|a Danti, Vincenzo,
|d 1530-1576
|2 fast
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|a Giambologna,
|d 1529-1608
|2 fast
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650 |
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|a Sculpture, Italian
|z Italy
|z Florence
|x History
|y 16th century.
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650 |
|
0 |
|a Art and architecture
|z Italy
|z Florence
|x History
|y 16th century.
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650 |
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0 |
|a Art
|x Political aspects
|z Italy
|z Florence
|x History
|y 16th century.
|
650 |
|
6 |
|a Sculpture italienne
|z Italie
|z Florence
|x Histoire
|y 16e siècle.
|
650 |
|
6 |
|a Art et architecture
|z Italie
|z Florence
|x Histoire
|y 16e siècle.
|
650 |
|
6 |
|a Art
|x Aspect politique
|z Italie
|z Florence
|x Histoire
|y 16e siècle.
|
650 |
|
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|a ART / History / Renaissance
|2 bisacsh
|
650 |
|
7 |
|a Art and architecture
|2 fast
|
650 |
|
7 |
|a Art
|x Political aspects
|2 fast
|
650 |
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|a Sculpture, Italian
|2 fast
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651 |
|
7 |
|a Italy
|z Florence
|2 fast
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648 |
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|a 1500-1599
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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|i Print version:
|a Cole, Michael Wayne, 1969-
|t Ambitious form.
|d Princeton [N.J.] : Princeton University Press, 2011
|z 9780691147444
|w (DLC) 2010030255
|w (OCoLC)587249087
|
856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2gs4ggj
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH39986455
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938 |
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|a Internet Archive
|b INAR
|n ambitiousformgia0000cole
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|a 92
|b IZTAP
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