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190628s2019 ncu o 000 0 eng d |
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|a 019446144
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|a UAMI
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|a Wiseman, Sam,
|e author.
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|a Locating the gothic in British modernity /
|c Sam Wiseman.
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|a Clemson, SC :
|b Clemson University Press,
|c 2019.
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300 |
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|a 1 online resource (vii, 257 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Clemson University Press
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|a "The late-Victorian era has been extensively researched as a period of Gothic literature, and this study seeks to build upon this body of work by connecting the content of such studies to the early decades of the twentieth century, which are less often seen in terms of Gothic or supernatural literature. Beginning with the quintessentially urban Gothic space of fin de siècle London, as represented in classic texts such as Dracula and Arthur Machen's The Great God Pan, the study proceeds to ask how the themes and energies which emerge in this moment evolve throughout the early twentieth century. In the ghost stories of authors like M.R. James, the Edwardian era witnesses an uncanny return to the rural English landscape, in which modernity encounters the re-emergence of suppressed fears and forces. After World War One, London again experiences a renewal of Gothic themes, with figures such as D.H. Lawrence and T.S. Eliot representing the city as a stricken and desolate space, haunted by the trauma and ghosts of the recent conflict. That legacy of violence and loss is also evident in rural representations of place in the 1920s and 1930s, along with a renewed interest in supernaturalism and paganism found in authors like Sylvia Townsend Warner and Mary Butts. Ultimately, this study argues, this period of dramatic social and cultural change is shadowed by a corresponding evolution in Gothic literary representation, whether that is expressed through modernist experimentation or more conventional narrative forms."--
|c Provided by publisher
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|a "This study considers how British literature from the late-Victorian era to the 1930s draws upon Gothic and supernatural narrative and imagery in its representations of place, whether metropolitan, suburban or rural; it argues that this period of dramatic socio-cultural change is shadowed by a corresponding evolution in Gothic literary representation"--
|c Provided by publisher
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a English literature
|y 20th century
|x History and criticism.
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650 |
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|a English literature
|y 19th century
|x History and criticism.
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650 |
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|a Modernism (Literature)
|z Great Britain.
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650 |
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|a Gothic revival (Literature)
|z Great Britain.
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650 |
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|a Place (Philosophy) in literature.
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650 |
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|a Littérature anglaise
|y 20e siècle
|x Histoire et critique.
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650 |
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|a Littérature anglaise
|y 19e siècle
|x Histoire et critique.
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650 |
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|a Modernisme (Littérature)
|z Grande-Bretagne.
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650 |
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|a Littérature frénétique
|z Grande-Bretagne.
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650 |
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|a Lieu (Philosophie) dans la littérature.
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650 |
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|a English literature
|2 fast
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|a Gothic revival (Literature)
|2 fast
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650 |
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|a Modernism (Literature)
|2 fast
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650 |
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|a Place (Philosophy) in literature
|2 fast
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651 |
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|a Great Britain
|2 fast
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648 |
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|a 1800-1999
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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776 |
0 |
8 |
|i Print version:
|a Wiseman, Sam.
|t Locating the gothic in British modernity.
|d Clemson, SC : Clemson University Press, 2019
|z 9781942954897
|w (DLC) 2018060434
|w (OCoLC)1055459046
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvk12rrs
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL5799300
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938 |
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|a EBSCOhost
|b EBSC
|n 2177640
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938 |
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|a YBP Library Services
|b YANK
|n 16313747
|
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|a YBP Library Services
|b YANK
|n 16407078
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|a 92
|b IZTAP
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