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|a UAMI
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|a Decentering Musical Modernity :
|b Perspectives on East Asian and European Music History /
|c Tobias Janz, Chien-Chang Yang, editors.
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|a Bielefeld :
|b Transcript-Verlag,
|c [2019]
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|a 1 online resource
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|a text file
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|b PDF
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|a Music and Sound Culture = Musik und Klangkultur ;
|v volume 33
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|t Introduction: Musicology, Musical Modernity, and the Challenges of Entangled History /
|r Janz, Tobias / Chien-Chang, Yang --
|t Modernity as Postcolonial Encounter in Korean Music /
|r Yu-jun, Choi --
|t Modernity, Regionality, and Twentieth-Century Symphony: On Jean Sibelius and Yamada Kōsaku /
|r Kirsch, Kathrin --
|t Music at the Service of Nordic Modernity? Wilhelm Stenhammar's Opening Cantata for the "General Arts and Industries Exhibition" in Stockholm in 1897 /
|r Rotter-Broman, Signe --
|t Different Interpretations of Musical Modernity? Xiao Youmei's Studies in Leipzig and the Foundation of the Modern Chinese Folk Orchestra /
|r Jedeck, Hannes --
|t Traditional Music, Alternative Modernity, and Internal Colonialism: Reassessing the Campaigns for National Music and Folk Songs in Taiwan /
|r Lap-Kwan, Kam --
|t Reflexivity as Method: A Historiographical Comparison of Finnish Pelimanni Music and Taiwanese Hakka Music /
|r Hsin-Wen, Hsu --
|t Nonsimultaneity of the Simultaneous: Internationalism and Universalism in Postwar Art Music until the 1970s /
|r Utz, Christian --
|t Synchronizing Twentieth-Century Music: A Transnational Reflection /
|r Chien-Chang, Yang --
|t Multiple Musical Modernities? Dahlhaus, Eisenstadt, and the Case of Japan /
|r Janz, Tobias --
|t Contemplating East Asian Music History in Regional and Global Contexts: On Modernity, Nationalism, and Colonialism /
|r Fumitaka, Yamauchi.
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520 |
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|a This collection investigates the concept of modernity in music and its multiple interpretations in Europe and Asia. Through contributions by both European and Asian musicologists it discusses how a decentered understanding of musical modernity could be matched on multiple historiographical perspectives while attentive to the specificities of local music and their narratives in Asia and Europe. The essays connect local, global and transnational history with sociological theories of modernity and modernization, making the volume an important contribution to overcoming the Eurocentric dichotomy between western music and world music within the field of historical musicology.
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546 |
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|a In English.
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|a Online resource; title from digital title page (viewed on July 18, 2019).
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|a Includes bibliographical references and index.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Music
|x History and criticism.
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|a Music
|x Social aspects
|z Asia.
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|a Music
|x Social aspects
|z Europe.
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|a Civilization, Modern, in music.
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|a Musique
|x Histoire et critique.
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|a Musique
|x Aspect social
|z Asie.
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|a Musique
|x Aspect social
|z Europe.
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|a MUSIC
|x History & Criticism.
|2 bisacsh
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|a MUSIC / History & Criticism
|2 bisacsh
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|a Civilization, Modern, in music
|2 fast
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|a Music
|2 fast
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|a Music
|x Social aspects
|2 fast
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|a Asia
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|a Europe
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a Janz, Tobias,
|e editor.
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|a Yang, Chien-Chang,
|e editor.
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776 |
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|i Print version:
|t Decentering Musical Modernity.
|d Bielefeld : Transcript-Verlag, [2019]
|z 9783837646498
|z 3837646491
|w (DLC) 2019435465
|w (OCoLC)1111573338
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|a Musik und Klangkultur ;
|v v. 33.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371c0rn
|z Texto completo
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