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The river twice : poems /
An impressive new collection from a poet whose previous book was a finalist for both the National Book Award and the National Book Critics Circle AwardTaking its title from Heraclitus's most famous fragment, The River Twice is an elegiac meditation on impermanence and change. The world presente...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton :
Princeton University Press,
[2019]
|
| Colección: | Princeton series of contemporary poets.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 4 | |a The river twice : |b poems / |c Kathleen Graber. |
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| 505 | 0 | |a Cover; Title Page; Copyright Page; Contents; One; Self- Portrait with No Internal Navigation; "The Weight"; America [peaches]; Self- Portrait with The Sleeping Man; America [flight]; New Year; The Year of the Horse; Two; Beginner's Mind; America [train]; Bitter Vetch; The Zeitgeist Bird; Labyrinth; America [October]; Impasto for the Parietal; Three; The River Twice; America [superstorm]; Landscape with No One in It; Greetings from Wildwood; America [Assateague]; The Fifth Season; Self- Portrait with No Shadow; Four; "There Will Never Be Another You"; America [April] | |
| 505 | 8 | |a On the Eve of Spring BreakSelf- Portrait in Suspension; Passage; A Short History of Sorrow; Five; Here, After; Death Dream in August; Self- Portrait with Moon; America [emptiness]; Greetings from Richmond; Postscript from the Heterochronic- Archipelagic Now; A Rhetoric; Acknowledgments; Notes | |
| 520 | |a An impressive new collection from a poet whose previous book was a finalist for both the National Book Award and the National Book Critics Circle AwardTaking its title from Heraclitus's most famous fragment, The River Twice is an elegiac meditation on impermanence and change. The world presented in these poems is a fluid one in which so much--including space and time, the subterranean realm of dreams, and language itself--seems protean, as the speaker's previously familiar understanding of the self and the larger systems around it gives way. Kathleen Graber's poems wander widely, from the epistolary to the essayistic, shuffling the remarkable and unremarkable flotsam of contemporary life. One thought, one memory, one bit of news flows into the next. Yet, in a century devoted to exponentially increasing speed, The River Twice unfolds at the slow pace of a river bend. While the warm light of ideas and things flashes upon the surface, that which endures remains elusive--something glimpsed only for an instant before it is gone. | ||
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