The music of Antônio Carlos Jobim /
Antonio Carlos Jobim has been called the greatest of all contemporary Brazilian songwriters. He wrote both popular and serious music and was a gifted piano, guitar, and flute player. One of the key figures in the creation of the bossa nova style, Jobim's music made a lasting impression worldwid...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Bristol, UK ; Chicago, USA :
Intellect,
2019.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- ch. 1 Introduction
- Antonio Carlos Jobim: Introduction and Background
- The Perception of Jobim: Reviews, Impressions, Quotations, Influences
- Discussion of Sources
- ch. 2 Influences
- Historical Background and Development
- The Birth of Bossa Nova
- Instrumental Pieces and Film Music
- Rhythmic Influences: Samba, Maracatu, Baiao, Frevo
- Folk and Popular Music Influences: Modinha, Choro
- Western Art-Music Influences: Villa-Lobos, Chopin
- Debussy, Ravel, Stravinsky, Gnattali, Gershwin Jobim's Aesthetics and Philosophy
- ch. 3 Harmonic Language
- Introduction
- Harmonic Techniques: `Chega de saudade'
- Melodic Sequence with Non-Sequential Altered Harmonies
- Major-Minor Mode Changes
- Descending Linear Chromatic Harmonic Relationships
- Contextual Use of Extended Harmony
- Parallel Harmonic Progression
- Tonal Ambiguities
- Guitar-based Sonorities
- Chords for Harmonic Effect
- Bitonal Influences and Chordal Superimposition
- Comparison of Whole Works and Parts of Jobim's Works: Saudade do Brasil
- Bird Calls
- Female Choir as an Orchestral Instrument
- Arquitetura de morar
- Conclusion
- ch. 4 Rhythmic Techniques
- Samba
- Clave Rhythmic Patterns
- Polyrhythmic Techniques
- Rhythmic Accent
- Hypermetre
- Pedal Tones
- Melodic Timing
- Conclusion
- ch. 5 Thematicism and Structural Design
- Self-Referential Attributes of Bossa Nova
- Juxtaposition of Static and Shifting Musical Material
- Motivic Design Restrictions
- `Insensatez'
- Descending Minor Second Motive
- Musical Inter-dependence and Understatement
- Transposed Motive Repetition
- `Aguas de marco' (Waters of March)
- Melodic Tributes
- Melodic Contour
- Whole-Tone Scales
- Choro Structural Form
- `Dindi'
- Alternative Melody
- Conclusion
- ch. 6 Conclusion.