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|a UAMI
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100 |
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|a McSweeney, Terence,
|d 1974-
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245 |
1 |
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|a Studying The hurt locker
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260 |
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|a La Vergne :
|b Auteur,
|c 2019.
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300 |
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|a 1 online resource (113 pages)
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|a text
|b txt
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|a Studying films
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|a Online resource; title from PDF title page (EBSCO, viewed June 5, 2019)
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|a Includes bibliographical references.
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|a Intro; Contents; Factsheet; List of Illustrations; Introduction; 1. The Hollywood War Film and Conflict; 2. The Cinematic Language of The Hurt Locker; 3. Interpreting The Politics of The Hurt Locker; 4. The Reception of The Hurt Locker: Anti-War or 'War Porn'?; Conclusion; Filmography; Bibliography
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|a In this vibrant and dynamic book-length study drawing on a broad tapestry of research, Terence McSweeney offers an exploration of The Hurt Locker (2009), its stylistic and narrative devices, its cultural impact, its reception, and its relationship to the genre of the war film. McSweeney places the film in a richly textured historical, political, and industrial context, arguing that The Hurt Locker is part of a long tradition of films about American wars that play a considerable role in how audiences come to understand the conflicts that they depict. Thus, films about a nation's wars are never 'only a movie' but rather should be considered a cultural battleground themselves on which a war of representation is waged.
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590 |
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|a Hurt locker (Motion picture)
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|a War films
|x History and criticism.
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|a Films de guerre
|x Histoire et critique.
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|a PERFORMING ARTS
|x Reference.
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655 |
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|a Criticism, interpretation, etc.
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|a Studying films.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv138418f
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|a Bloomsbury Publishing
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|a ProQuest Ebook Central
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|a Recorded Books, LLC
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