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|a Near, John Richard,
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|a Widor on organ performance practice and technique /
|c John R. Near.
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|a Rochester, NY :
|b University of Rochester Press,
|c 2019.
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|c ©2019
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|a 1 online resource (xvi, 151 pages) :
|b music
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|a text
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|a online resource
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|a Eastman studies in music
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|a Includes bibliographical references and index.
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|a Frontcover; Contents; List of Examples; Preface; Acknowledgments; Introduction: "You know Bach: you know all"; Part One. Background; 1 "Art does not know the absolute"; 2 "The art of organ playing has not changed at all since Johann Sebastian Bach"; 3 "In France we have neglected performance much too much in favor of improvisation"; Part Two. Maxims; 4 Excerpts fro m Widor's Preface to Jean-Sébastien Bach-OEuvres complètes pour orgue, Vols. 1-4, and Correlative Commentary; I. Pace; II. Phrasing; III. Registration; IV. The Use of the Manuals; V. Changing Manuals
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|a Appendix 1: Symphonies pour orgue, "Avant-propos"Appendix 2: Technique de l'orchestre moderne, "L'orgue"; Appendix 3: Initiation musicale, "L'orgue"; Appendix 4: L'orgue moderne; La décadence dans la facture contemporaine; Appendix 5: Key to Widor's System of Abbreviated Registration, Symphonie gothique, First Movement; Notes; Bibliography; Index
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|a Widor's pedagogical writings, translated for the first time, offer essential guidance for interpreting his organ compositions as well as those of his followers in the French Romantic organ school.
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|a Online resource; title from digital title page (viewed on June 26, 2019).
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|a Widor, Charles-Marie,
|d 1844-1937.
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|a Organ music
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|a Orgue, Musique d'
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|i Print version:
|a Near, John Richard.
|t Widor on organ performance practice and technique.
|d Rochester, NY : University of Rochester Press, 2019
|z 9781580469449
|w (DLC) 2019003197
|w (OCoLC)1053904012
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|a Eastman studies in music.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv136bxcd
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