|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1102321214 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
190523s2019 enkag ob 001 0 eng d |
040 |
|
|
|a N$T
|b eng
|e rda
|e pn
|c N$T
|d EBLCP
|d UKMGB
|d OCL
|d OCLCQ
|d YDX
|d OCLCQ
|d NLW
|d OCLCO
|d UKAHL
|d OCLCO
|d OCLCQ
|d CAMBR
|d JSTOR
|
015 |
|
|
|a GBB999965
|2 bnb
|
016 |
7 |
|
|a 019388251
|2 Uk
|
019 |
|
|
|a 1140489172
|a 1145290476
|
020 |
|
|
|a 9781787445345
|q (electronic bk.)
|
020 |
|
|
|a 1787445348
|q (electronic bk.)
|
020 |
|
|
|z 1783273909
|
020 |
|
|
|z 9781783273904
|
029 |
1 |
|
|a AU@
|b 000065341487
|
029 |
1 |
|
|a UKMGB
|b 019388251
|
035 |
|
|
|a (OCoLC)1102321214
|z (OCoLC)1140489172
|z (OCoLC)1145290476
|
037 |
|
|
|a 3-239-9781787445345
|b Ingram Content Group
|
037 |
|
|
|a 22573/ctvb6t8b9
|b JSTOR
|
050 |
|
4 |
|a ML3916
|b .M88325 2019eb
|
072 |
|
7 |
|a POL
|x 038000
|2 bisacsh
|
072 |
|
7 |
|a SOC
|x 002010
|2 bisacsh
|
072 |
|
7 |
|a SOC
|x 022000
|2 bisacsh
|
072 |
|
7 |
|a MUS
|x 020000
|2 bisacsh
|
072 |
|
7 |
|a HIS
|x 037060
|2 bisacsh
|
082 |
0 |
4 |
|a 306.4/842
|2 23
|
049 |
|
|
|a UAMI
|
245 |
0 |
0 |
|a Musical salon culture in the long nineteenth century /
|c edited by Anja Bunzel and Natasha Loges.
|
246 |
3 |
|
|a Musical salon culture in the long 19th century
|
264 |
|
1 |
|a Woodbridge, Suffolk, UK ;
|a Rochester, NY :
|b The Boydell Press,
|c 2019
|
300 |
|
|
|a 1 online resource (xviii, 284 pages) :
|b illustrations, music
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index
|
520 |
|
|
|a This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon
|
505 |
0 |
0 |
|t Introduction /
|r Anja Bunzel and Natasha Loges --
|t Johanna Kinkel's Social Life in Berlin (1836-39): Reflections on Historiographical Sources /
|r Anja Bunzel --
|t Accidental Aesthetics in the Salon: Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim /
|r Jennifer Ronyak --
|t Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness: C.J. Arnold's "Quartettabend bei Bettina von Arnim" Reconsidered /
|r Katharina Uhde and R. Larry Todd --
|t Reading, Singing, Becoming: The Mädchenlieder of Paul Heyse and Johannes Brahms /
|r Natasha Loges --
|t Fridays with Malla: Musical Repertoire in the Swedish Salon of Malla Silfverstolpe /
|r Kirsten Santos Rutschman --
|t Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature /
|r Maren Bagge and Clemens Kreutzfeldt --
|t The Salon Singer as Subject of Satire during the July Monarchy /
|r Mary Anne Garnett --
|t The Instruments of the Vienna Biedermeier Salon: Diversity in Design, Sound, and Technology /
|r Beatrix Darmstädter --
|t Offenbach and the Representation of the Salon /
|r Péter Bozó --
|t Affordances of the Piano: A Cinematic Representation of the Victorian Salon /
|r Harry White --
|t 'Der Mensch ist zur Geselligkeit geboren': Salon Culture, Night Thoughts, and a Schubert Song /
|r Susan Youens --
|t Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin /
|r Petra Wilhelmy-Dollinger --
|t Josephine Lang and the Salon in Southern Germany /
|r Harald Krebs --
|t Jessie Hillebrand and Musical Life in 1870s Florence /
|r Michael Uhde --
|t An Invitation to 309 Beacon Street: Clara Kathleen Rogers and her Boston Salon /
|r Katie A. Callam --
|t "Too Much Playing Four Hands!": Ernst von Dohnányi's European Salon in the United States of the 1950s /
|r Veronika Kusz.
|
588 |
0 |
|
|a Print version record.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
650 |
|
0 |
|a Music
|x Social aspects
|x History
|y 19th century.
|
650 |
|
0 |
|a Music in the home
|x Social aspects
|x History
|y 19th century.
|
650 |
|
6 |
|a Musique
|x Aspect social
|x Histoire
|y 19e siècle.
|
650 |
|
6 |
|a Musique à la maison
|x Aspect social
|x Histoire
|y 19e siècle.
|
650 |
|
7 |
|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
|
650 |
|
7 |
|a Music
|x Social aspects.
|2 fast
|0 (OCoLC)fst01030444
|
650 |
|
7 |
|a MUSIC / History & Criticism
|2 bisacsh
|
648 |
|
7 |
|a 1800-1899
|2 fast
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
700 |
1 |
|
|a Bunzel, Anja,
|e editor.
|
700 |
1 |
|
|a Loges, Natasha,
|e editor.
|
776 |
0 |
8 |
|i Print version:
|t Musical salon culture in the long nineteenth century.
|d Woodbridge, Suffolk, UK ; Rochester, NY : The Boydell Press, 2019
|z 1783273909
|w (OCoLC)1053863861
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvb4bwn5
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH36246121
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL5778797
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2000993
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 300558400
|
994 |
|
|
|a 92
|b IZTAP
|