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Inception /
Christopher Nolan's Inception (2010) is a difficult film to categorize. It partakes of various genres, blurring the distinctions between them. Yes, it is science fiction but it does not contain many of the ingredients associated with that genre. It can also be identified as a kind of heist film...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Leighton Buzzard] :
Auteur Publishing,
2019.
|
| Colección: | Constellations (Leighton Buzzard, England)
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Carter, David R., |d 1945- |e author. | |
| 245 | 1 | 0 | |a Inception / |c David Carter. |
| 264 | 1 | |a [Leighton Buzzard] : |b Auteur Publishing, |c 2019. | |
| 300 | |a 1 online resource (116 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Constellations : studies in science fiction film and TV | |
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro; Contents; 1. Introductory Remarks; 2. Christopher Nolan: The Director and His Work; 3. The Industrial Context of Inception: from Production to Premiere; 4. The Question of Genre; 5. Dreams and the Cinema; 6. Cobb's 'Emotional Journey': from Guilt to Redemption; 7. Inception and the Arts; 8. The Ending: Dreams, Reality and Ambiguity; 9. Critical Reception; 10. Further Lines of Inquiry; Notes; General Bibliography | |
| 520 | |a Christopher Nolan's Inception (2010) is a difficult film to categorize. It partakes of various genres, blurring the distinctions between them. Yes, it is science fiction but it does not contain many of the ingredients associated with that genre. It can also be identified as a kind of heist film, and there are shades of film noir as well, not only because of the heist motifs but also due to its character types. It can also be described as psychological thriller, telling the story of one man's attempt to flee his past and regain access to his family, of his coming to terms with the death of his. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 630 | 0 | 0 | |a Inception (Motion picture) |
| 600 | 1 | 0 | |a Nolan, Christopher, |d 1970- |
| 600 | 1 | 7 | |a Nolan, Christopher, |d 1970- |2 fast |0 (OCoLC)fst01568745 |
| 630 | 0 | 7 | |a Inception (Motion picture) |2 fast |0 (OCoLC)fst01784553 |
| 650 | 0 | |a Film criticism. | |
| 650 | 0 | |a Cinematography. | |
| 650 | 0 | |a Motion pictures |x Production and direction. | |
| 650 | 0 | |a Technical education. | |
| 650 | 0 | |a Motion pictures. | |
| 650 | 6 | |a Critique cinématographique. | |
| 650 | 6 | |a Cinéma. | |
| 650 | 6 | |a Cinéma |x Production et réalisation. | |
| 650 | 6 | |a Enseignement technique. | |
| 650 | 7 | |a cinematography. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Cinematography. |2 fast |0 (OCoLC)fst00861484 | |
| 650 | 7 | |a Film criticism. |2 fast |0 (OCoLC)fst00924259 | |
| 650 | 7 | |a Motion pictures |x Production and direction. |2 fast |0 (OCoLC)fst01027357 | |
| 650 | 7 | |a Technical education. |2 fast |0 (OCoLC)fst01144838 | |
| 776 | 0 | 8 | |i Print version: |a Carter, David R., 1945- |t Inception. |d [Leighton Buzzard] : Auteur Publishing, 2019 |z 9781911325055 |w (OCoLC)1100481029 |
| 830 | 0 | |a Constellations (Leighton Buzzard, England) | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv13842d0 |z Texto completo |
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