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Animated encounters : transnational movements of Chinese animation, 1940s-1970s /
China's role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her study of Chinese animation and its engagement with international forces during its formative period, the 1940s-1970s. She introduces reade...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Honolulu :
University of Hawaiʻi Press,
[2019]
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| Colección: | Asia pop!
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Du, Daisy Yan, |e author. | |
| 245 | 1 | 0 | |a Animated encounters : |b transnational movements of Chinese animation, 1940s-1970s / |c Daisy Yan Du. |
| 264 | 1 | |a Honolulu : |b University of Hawaiʻi Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (xiii, 258 pages pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Asia pop! | |
| 504 | |a Includes bibliographical references (pages 223-243) and index. | ||
| 505 | 0 | |a An animated wartime encounter: Princess Iron Fan and the Chinese connection in early Japanese animation -- Mochinaga Tadahito and animated filmmaking in early socialist China -- Inter/national style and national identity : ink-painting animation in the early 1960s -- Animals, ethnic minorities, and villains in animated film during the Cultural Revolution. | |
| 520 | |a China's role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her study of Chinese animation and its engagement with international forces during its formative period, the 1940s-1970s. She introduces readers to transnational movements in early Chinese animation, tracing the involvement of Japanese, Soviet, American, Taiwanese, and China's ethnic minorities, at socio-historical or representational levels, in animated filmmaking in China. Du argues that Chinese animation was international almost from its inception and that such border-crossing exchanges helped make it "Chinese" and subsequently transform the history of world animation. She highlights animated encounters and entanglements to provide an alternative to current studies of the subject characterized by a preoccupation with essentialist ideas of "Chineseness" and further questions the long-held belief that the forty-year-period in question was a time of cultural isolationism for China due to constant wars and revolutions. China's socialist era, known for the pervasiveness of its political propaganda and suppression of the arts, unexpectedly witnessed a golden age of animation. Socialist collectivism, reinforced by totalitarian politics and centralized state control, allowed Chinese animation to prosper and flourish artistically. In addition, the double marginality of animation--a minor art form for children--coupled with its disarming qualities and intrinsic malleability and mobility, granted animators and producers the double power to play with politics and transgress ideological and geographical borders while surviving censorship, both at home and abroad. A captivating and enlightening history, Animated Encounters will attract scholars and students of world film and animation studies, children's culture, and modern Chinese history |c Provided by publisher | ||
| 588 | 0 | |a online resource; title from PDF title page (ProQuest Ebook Central, viewed March 22, 2021) | |
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Animated films |z China |x History and criticism. | |
| 650 | 0 | |a Animated television programs |z China |x History and criticism. | |
| 650 | 0 | |a Motion pictures and transnationalism. | |
| 650 | 6 | |a Cinéma et transnationalisme. | |
| 650 | 7 | |a PERFORMING ARTS / Reference |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Animation |2 bisacsh | |
| 650 | 7 | |a Animated films. |2 fast |0 (OCoLC)fst00809611 | |
| 650 | 7 | |a Animated television programs. |2 fast |0 (OCoLC)fst00809626 | |
| 650 | 7 | |a Motion pictures and transnationalism. |2 fast |0 (OCoLC)fst01747307 | |
| 651 | 7 | |a China. |2 fast |0 (OCoLC)fst01206073 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Du, Daisy Yan. |t Animated encounters. |d Honolulu : University of Hawaiʻi Press, [2019] |z 9780824872106 |w (DLC) 2018037381 |w (OCoLC)1039286483 |
| 830 | 0 | |a Asia pop! | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv7r42kr |z Texto completo |
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