Cargando…

The sounds of social space : branding, built environment, and leisure in urban China /

A giant statue of a six-pipe musical instrument stands in the heart of Kaili city. Yet despite its prominent placement, intended to convey the essence of the city, residents hold extremely low opinions of music-making in Kaili, particularly when compared to the "authentic" music found in s...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kendall, Paul, 1979- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Honolulu, Hawai'i : University of Hawaiʻi Press, [2019]
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000 i 4500
001 JSTOR_on1098213448
003 OCoLC
005 20231005004200.0
006 m o d
007 cr cnu---unuuu
008 190424s2019 hiuab ob 001 0 eng d
040 |a N$T  |b eng  |e rda  |e pn  |c N$T  |d N$T  |d YDX  |d EBLCP  |d DEGRU  |d JSTOR  |d OCL  |d OCLCQ  |d K6U  |d OCLCO  |d OCLCQ  |d OCLCO  |d OCLCQ 
019 |a 1128263134 
020 |a 9780824877804  |q (electronic bk.) 
020 |a 0824877802  |q (electronic bk.) 
020 |z 9780824877705 
020 |z 0824877705 
029 1 |a AU@  |b 000065306135 
029 1 |a NLGGC  |b 422818291 
035 |a (OCoLC)1098213448  |z (OCoLC)1128263134 
037 |a 22573/ctv7s962r  |b JSTOR 
043 |a a-cc--- 
050 4 |a DS797.35.K355  |b K46 2019eb 
072 7 |a SOC  |x 000000  |2 bisacsh 
072 7 |a SOC  |x 002010  |2 bisacsh 
072 7 |a HIS  |x 008000  |2 bisacsh 
072 7 |a SOC  |x 026030  |2 bisacsh 
082 0 4 |a 307.760951/34  |2 23 
049 |a UAMI 
100 1 |a Kendall, Paul,  |d 1979-  |e author. 
245 1 4 |a The sounds of social space :  |b branding, built environment, and leisure in urban China /  |c Paul Kendall. 
264 1 |a Honolulu, Hawai'i :  |b University of Hawaiʻi Press,  |c [2019] 
300 |a 1 online resource (viii, 207 pages) :  |b illustrations, 1 map 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references (pages 173-202) and index. 
505 0 |a Introduction -- Fieldwork and theory -- The production of a tourist city -- Locating cultural authenticity -- Relocation, rhythm, and stability -- Music, difference, and lived space -- Conclusion. 
588 0 |a Print version record. 
520 |a A giant statue of a six-pipe musical instrument stands in the heart of Kaili city. Yet despite its prominent placement, intended to convey the essence of the city, residents hold extremely low opinions of music-making in Kaili, particularly when compared to the "authentic" music found in surrounding ethnic minority villages. In this engaging, accessible work, author Paul Kendall investigates this conundrum and comes to terms with conflicting representations of a small southwestern Chinese city branded "the homeland of one hundred festivals."Drawing on Henri Lefebvre's triad of social space, the book explores the relationship between Kaili's branding, built environment, and everyday life: how China's post-Mao built environment hinders and hides everyday music-making, even in a tourist destination for ethnic music; how residents themselves deny or downplay the existence of ethnic music in the city, despite the government's efforts to promote it; how amateur musicians have constructed generational hierarchies of musical practice within a shifting cityscape. Kendall argues that increased focus on the small city helps counter a tendency to conceive China as either timeless village or futuristic metropolis and enables a more comprehensive understanding of the urban experience, both in China and beyond. He shows that many Kaili inhabitants recognize not only a rural-urban divide--long a dominant geographical notion of China--but also a more complex conceptualization of village, small city, and big city. By interweaving theories of authenticity with an innovative interpretation of space, Kendall shows how the category of "fake" minority emerged from this small city as a surprisingly positive form of self-identification, suggesting that there are ways of not being ethnic, even in often-exoticized southwest China. The Sounds of Social Space makes a distinctive contribution across a range of disciplinary interests, including Chinese studies, urban studies, anthropology, and ethnomusicology 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Public spaces  |x Social aspects  |z China  |z Kaili. 
650 0 |a Music  |x Social aspects  |z China  |z Kaili. 
650 0 |a Street music  |z China  |z Kaili. 
651 0 |a Kaili (China)  |x Civilization  |y 21st century. 
650 7 |a SOCIAL SCIENCE  |x General.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x Cultural.  |2 bisacsh 
650 7 |a Civilization.  |2 fast  |0 (OCoLC)fst00862898 
650 7 |a Music  |x Social aspects.  |2 fast  |0 (OCoLC)fst01030444 
650 7 |a Public spaces  |x Social aspects.  |2 fast  |0 (OCoLC)fst01083062 
650 7 |a Street music.  |2 fast  |0 (OCoLC)fst01134700 
651 7 |a China  |z Kaili.  |2 fast  |0 (OCoLC)fst01257311 
648 7 |a 2000-2099  |2 fast 
776 0 8 |i Print version:  |a Kendall, Paul, 1979-  |t Sounds of social space.  |d Honolulu, Hawai'i : University of Hawaiʻi Press, [2019]  |z 9780824877705  |w (DLC) 2018026801  |w (OCoLC)1037040486 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv7r42hs  |z Texto completo 
938 |a De Gruyter  |b DEGR  |n 9780824877804 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL5752608 
938 |a EBSCOhost  |b EBSC  |n 1905058 
938 |a YBP Library Services  |b YANK  |n 16179081 
938 |a YBP Library Services  |b YANK  |n 15878164 
994 |a 92  |b IZTAP