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Screening communities : negotiating narratives of empire, nation, and the Cold War in Hong Kong cinema.

Postwar Hong Kong cinema played an active role in building the colony's community in the 1950s and 1960s. To Jing Jing Chang, the screening of movies in postwar Hong Kong was a process of showing the filmmakers' visions for Hong Kong society and simultaneously an attempt to conceal their a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: CHANG, JING JING
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Place of publication not identified] HONG KONG UNIV Press, 2019.
Colección:Crossings
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Screening communities :  |b negotiating narratives of empire, nation, and the Cold War in Hong Kong cinema. 
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490 0 |a Crossings 
505 0 |a Intro; Series; Contents; Illustrations; Acknowledgments; Introduction; Part 1. Toward a Colonial Modernity; 1. Film Censorship and the Regulatory Context of Postwar Hong Kong; 2. Between Idealism and Pragmatism; Part 2. Toward a Leftist Vernacular Modernism; 3. May Fourth and Postwar Hong Kong's Leftist Cantonese Cinema; 4. Familial Address and the Aesthetics of Lunli; Part 3. Toward a Gendered Industrialized City; 5. The Nanyang Ethos and Engendering the Chinese Overseas Experience; 6. Girls in Masquerade; Coda; Glossary; Notes; Filmography; Bibliography; Index 
520 |a Postwar Hong Kong cinema played an active role in building the colony's community in the 1950s and 1960s. To Jing Jing Chang, the screening of movies in postwar Hong Kong was a process of showing the filmmakers' visions for Hong Kong society and simultaneously an attempt to conceal their anxieties and mask their political agenda. It was a time when the city was a site of intense ideological struggles among the colonial government, Chinese Nationalists, and Communist sympathizers. The medium of film was recognized as a powerful tool for public persuasion and various camps competed to win over t. 
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