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Britpop cinema : from Trainspotting to This is England /
The Britpop movement of the mid-1990s defined a generation, and the films were just as exciting as the music. Beginning with Shallow Grave, hitting its stride with Trainspotting, and going global with The Full Monty, Lock, Stock and Two Smoking Barrels, Shaun of the Dead, and This Is England, Britpo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, UK :
Intellect,
2019.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Glasby, Matt. | |
| 245 | 1 | 0 | |a Britpop cinema : |b from Trainspotting to This is England / |c by Matt Glasby. |
| 264 | 1 | |a Bristol, UK : |b Intellect, |c 2019. | |
| 300 | |a 1 online resource (x, 224 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, April 22, 2019). | |
| 588 | 0 | |a Vendor-supplied metadata. | |
| 504 | |a Includes bibliographical references (pages 207-219) and index. | ||
| 520 | 8 | |a The Britpop movement of the mid-1990s defined a generation, and the films were just as exciting as the music. Beginning with Shallow Grave, hitting its stride with Trainspotting, and going global with The Full Monty, Lock, Stock and Two Smoking Barrels, Shaun of the Dead, and This Is England, Britpop cinema pushed boundaries, paid Hollywood no heed, and placed the United Kingdom all too briefly at the center of the movie universe. Featuring exclusive interviews with key players such as Simon Pegg, Irvine Welsh, Michael Winterbottom and Edgar Wright, Britpop Cinema combines eyewitness accounts, close analysis, and social history to celebrate a golden age for UK film. | |
| 505 | 0 | |a Introduction: Don't look back in anger -- Things can only get better -- Do you remember the first time? -- The day we caught the train -- A life less ordinary -- Staying out for the summer -- The drugs don't work -- Caught by the fuzz -- Chemical world -- Anyone can play guitar -- The living dead -- Three lions -- Everything must go -- Epilogue: don't look back into the sun. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Motion pictures |z Great Britain |x History and criticism. | |
| 650 | 6 | |a Cinéma |z Grande-Bretagne |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART / Popular Culture |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Great Britain |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Glasby, Matt. |t Britpop Cinema. |d Bristol, UK : Intellect, 2019 |z 1783209879 |z 9781783209873 |w (OCoLC)1066053197 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvmpz |z Texto completo |
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