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Agency : a partial history of live art /
Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social, and political categories: not theatre, not dance, not visual art, and often wilfully anti-mainstream and anti-establishment. But as it has become increasingly prevalent in interna...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol ; Chicago, IL : London :
Intellect ; Live Art Development Agency,
2019.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Agency : |b a partial history of live art / |c [edited by Theron Schmidt]. |
| 264 | 1 | |a Bristol ; |a Chicago, IL : |b Intellect ; |a London : |b Live Art Development Agency, |c 2019. | |
| 300 | |a 1 online resource (319 pages) : |b chiefly illustrations (chiefly color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Title; Content; FOREWORD :TWENTY YEARS AND COUNTING; INTRODUCTION :THERON SCHMIDT; BODIES: INTRODUCTION; CONVERSATIONS; MARTIN O'BRIEN & KIRA O'REILLY; GEORGE CHAKRAVARTHI & MANUEL VASON; ALEXANDRINA HEMSLEY AND JAMILA JOHNSON-SMALL (PROJECT 0) & SELINA THOMPSON; PROVOCATIONS; THOSE WHO HAVE SUFFERED UNDERSTAND SUFFERING: NOTES ON THE BODY (IN PAIN); AGENCY, HABITUS, EMBODIMENT : AMELIA JONES; SPACES: INTRODUCTION; CONVERSATIONS; TIM ETCHELLS & ANDY FIELD; LESLIE HILL AND HELEN PARIS (CURIOUS) & JOHANNA TUUKKANEN | |
| 505 | 8 | |a REBECCA FRENCH AND ANDREW MOTTERSHEAD (FRENCH & MOTTERSHEAD) & HAYLEY NEWMANPROVOCATIONS; FROM A DISTANCE HEIKE ROMS; THE GIFT OF PLACE : JOHN E. MCGRATH; INSTITUTIONAL :INTRODUCTION; CONVERSATIONS; MARY PATERSON & JOSHUA SOFAER; ROSELEE GOLDBERG & CATHERINE WOOD; GARY ANDERSON AND LENA SIMIC (THE INSTITUTE FOR THE ART AND PRACTICE OF DISSENT AT HOME) & BRYAN BIGGS; PROVOCATIONS; STILL LIVE: THE FREE UNIVERSITY OF LIVERPOOL (2010-2013) JANE TROWELL; INSTITUTIONAL CELEBRATION JEN HARVIE; COMMUNITIES: INTRODUCTION; CONVERSATIONS; SIMON CASSON & THE VACUUM CLEANER; JORDAN MCKENZIE & RAJNI SHAH | |
| 505 | 8 | |a ANNE BEAN & ALASTAIR MACLENNANPROVOCATIONS; PERFORMED COMMUNITIES: IMAGINING SOME RESEARCH WORTH DOING : ALAN READ; COMMUNITY-A CASE STUDY IN FOUR ACTS: THE BREWERY, THE CIRCUS, THE WICK, AND THE GREEN : LOIS WEAVER; ACTIONS: INTRODUCTION; CONVERSATIONS; KATHERINE ARANIELLO AND AARON WILLIAMSON (THE DISABLED AVANT-GARDE) & RICHARD DEDOMENICI; BARBY ASANTE & DAVID A. BAILEY; RON ATHEY & CASSILS; PROVOCATIONS; PERFORMING UTOPIAS: FOR A LIVE ART THAT LIVES AND LETS LIVE JOHN JORDAN; 'PHILOSOPHICAL TANTRUM' #10: ON ART, IMAGINATION, DEMOCRACY, CENSORSHIP, HOPE, ETC. GUILLERMO GÓMEZ-PEÑA; TIMELINE | |
| 505 | 8 | |a INDEXWORKS CITED; ACKNOWLEDGEMENTS; Back Cover | |
| 520 | 8 | |a Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social, and political categories: not theatre, not dance, not visual art, and often wilfully anti-mainstream and anti-establishment. But as it has become increasingly prevalent in international festivals, major art galleries, and university courses, it is ripe for a reassessment. Including almost 50 contributing artists and scholars, this collection of essays, conversations, provocations, and archival images takes the twentieth anniversary of the founding of one of the sector's most committed champions, the Live Art Development Agency in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Through the work of this particular 'Agency', the book explores the idea of agency more generally: how Live Art has enabled the possibility for new kinds of thoughts, actions, and alliances for diverse individuals and groups. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Performance art |z Great Britain |y 21st century. | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a ART / General |2 bisacsh | |
| 650 | 7 | |a Art and Design. |2 eflch | |
| 650 | 7 | |a Performance art. |2 fast |0 (OCoLC)fst01057852 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 650 | 7 | |a Art and Design. |2 ukslc | |
| 648 | 7 | |a 2000-2099 |2 fast | |
| 700 | 1 | |a Schmidt, Theron U., |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Agency. |d Bristol ; Chicago, IL : Intellect ; London : Live Art Development Agency, 2019 |z 1783209909 |w (OCoLC)1065952454 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvjkf |z Texto completo |
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