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Nazi film melodrama /

Cultural productions in the Third Reich often served explicit propaganda functions of legitimating racism and glorifying war and militarism. Likewise, the proliferation of domestic and romance films in Nazi Germany also represented an ideological stance. Rather than reinforcing traditional gender ro...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Heins, Laura
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2013]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Heins, Laura. 
245 1 0 |a Nazi film melodrama /  |c Laura Heins. 
264 1 |a Urbana :  |b University of Illinois Press,  |c [2013] 
300 |a 1 online resource (viii, 240 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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504 |a Includes bibliographical references (pages [225]-232) and index. 
505 0 |a Introduction : melodrama in the Nazi cinema, the domestic war -- An aesthetics of aggression : German fascist vs. classical Hollywood melodrama -- The Nazi modernization of sex : romance melodrama -- Breaking out of the bourgeois home : domestic melodrama -- Germany's great love vs. the American fortress : home front melodrama -- Epilogue : reprivatization after Nazi cinema : postwar German melodrama. 
588 0 |a Print version record. 
520 |a Cultural productions in the Third Reich often served explicit propaganda functions of legitimating racism and glorifying war and militarism. Likewise, the proliferation of domestic and romance films in Nazi Germany also represented an ideological stance. Rather than reinforcing traditional gender role divisions and the status quo of the nuclear family, these films were much more permissive about desire and sexuality than previously assumed. Focusing on German romance films, domestic melodramas, and home front films from 1933 to 1945, this book shows how melodramatic elements in Nazi cinema functioned as part of a project to move affect, body, and desire beyond the confines of bourgeois culture and participate in a curious modernization of sexuality engineered to advance the imperialist goals of the Third Reich. -- Publisher website. 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a National socialism and motion pictures. 
650 0 |a Motion pictures  |z Germany  |x History. 
650 0 |a Melodrama in motion pictures. 
650 6 |a Nazisme et cinéma. 
650 6 |a Cinéma  |z Allemagne  |x Histoire. 
650 6 |a Mélodrames (Films) 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Melodrama in motion pictures  |2 fast 
650 7 |a Motion pictures  |2 fast 
650 7 |a National socialism and motion pictures  |2 fast 
651 7 |a Germany  |2 fast 
650 7 |a Melodrama  |g Film  |2 gnd 
650 7 |a Nationalsozialismus  |2 gnd 
651 7 |a Deutschland  |2 gnd 
650 7 |a Nazism och film, Tyskland.  |2 sfit 
650 7 |a Melodram.  |2 sfit 
655 0 |a Electronic books. 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |t Nazi film melodrama.  |d Urbana : University of Illinois Press, [2013]  |z 9780252037740  |w (DLC) 2012045134 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.5406/j.ctt3fh459  |z Texto completo 
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