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190326s2018 nyu fo d z000 0 eng d |
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|a 9781501721854
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|a 10.7591/9781501721854
|2 doi
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|a (OCoLC)1091706176
|z (OCoLC)1046068028
|z (OCoLC)1080549512
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|b JSTOR
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|a e-uk---
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|a PR858.W6
|b K34 1991
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|a LIT004120
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|a LIT025050
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|a SOC032000
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|a 823/.509
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|a UAMI
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|a Kahn, Madeleine,
|e author.
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|a Narrative Transvestism :
|b Rhetoric and Gender in the Eighteenth-Century English Novel /
|c Madeleine Kahn.
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|a Ithaca, NY :
|b Cornell University Press,
|c [2018]
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|c ©1992
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|a 1 online resource.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a text file
|b PDF
|2 rda
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|a Reading women writing
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|t Frontmatter --
|t Contents --
|t Acknowledgments --
|t Introduction --
|t 1. Transvestism and Narrative Structures in Eighteenth-Century England --
|t 2. Defoe and Roxana: The Reader as Author --
|t 3. Richardson and Clarissa: The Author as Reader --
|t Conclusion --
|t Selected Bibliography --
|t Index
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|a Many of the earliest canonical novels--including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa--were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography" as if he were a woman? What did early novelists have to gain from it, in a period when woman's realm was devalued and woman's voice rarely heard in public? How does the male author behind the voice reveal himself to readers, and how do our glimpses of him affect our experience of the novel? Does it matter if the woman he has created is believable as a woman? Why does "she" inevitably rail against the perfidy of men?Kahn maintains that the answers to such questions lie in the nature of "narrative transvestism" -her term for the device through which a male author directs the reader's interpretation by temporarily abandoning himself to a culturally defined female voice and sensibility and then reasserting his male voice.In her innovative readings of key eighteenth-century English novels, Kahn draws upon a range of contemporary critical approaches. Lucid and witty, Narrative Transvestism will serve as a model of analysis for readers interested in issues of gender in narrative, including feminist theorists, students and scholars of the eighteenth-century novel, and critics interested in the applications of psychoanalysis to literature.
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|a In English.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019).
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|a Includes bibliographical references (pages 161-170) and index.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Defoe, Daniel,
|d 1661?-1731.
|t Roxana.
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|a Richardson, Samuel,
|d 1689-1761.
|t Clarissa.
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|a First person narrative.
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|a Narration (Rhetoric)
|x History
|y 18th century.
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|a Sex role in literature.
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|a Women in literature.
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|a Women and literature
|z Great Britain
|x History
|y 18th century.
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|a English fiction
|y 18th century
|x History and criticism.
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|a Femmes dans la littérature.
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|a Rôle selon le sexe dans la littérature.
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|a Récits à la première personne.
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|a Narration
|x Histoire
|y 18e siècle.
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|a Femmes et littérature
|z Grande-Bretagne
|x Histoire
|y 18e siècle.
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|a Roman anglais
|y 18e siècle
|x Histoire et critique.
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|a LITERARY CRITICISM / Subjects & Themes / Women .
|2 bisacsh
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|a Women and literature.
|2 fast
|0 (OCoLC)fst01177093
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|a English fiction.
|2 fast
|0 (OCoLC)fst00910817
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|a First person narrative.
|2 fast
|0 (OCoLC)fst00925781
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|a Narration (Rhetoric)
|2 fast
|0 (OCoLC)fst01032927
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|a Sex role in literature.
|2 fast
|0 (OCoLC)fst01114649
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|a Women in literature.
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|0 (OCoLC)fst01177912
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|a Great Britain.
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|0 (OCoLC)fst01204623
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|a 1700-1799
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|z 0801425360
|z 9780801425363
|w (DLC) 91055060
|w (OCoLC)23732365
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|a Reading women writing.
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|u https://jstor.uam.elogim.com/stable/10.7591/j.ctv3s8p65
|z Texto completo
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