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|a Hellier-Tinoco, Ruth.
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|a Performing palimpsest bodies :
|b postmemory theatre experiments in Mexico /
|c Ruth Hellier-Tinoco
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|a Bristol :
|b Intellect,
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|a Proposing the innovative concept of palimpsest bodies to interpret provocative theatre and performance experiments that explore issues of cultural memory, bodies of history, archives, repertoires and performing remains, Ruth Hellier-Tinoco offers an in-depth analysis of four postdramatic and transdisciplinary collective creation theatre projects. Combined with ideas of postmemory and rememory, palimpsest bodies are inherently trans-temporal as they perform re-visions of embodied gestures, vocalized calls and sensory experiences. Focusing on one of Mexico's most significant contemporary theatre companies, La Máquina de Teatro, directed by renowned artists Juliana Faesler and Clarissa Malheiros, this ground-breaking study documents the playfully rigorous performances of layered, plural and trans identities as collaborative, feminist and queer re-visions of official histories and collective memories. Illustrated with over three hundred colour photos, Performing Palimpsest Bodies: Postmemory Theatre Experiments in Mexico will appeal to creative artists and scholars interested in contemporary theatre and performance studies, critical dance studies, collective creation and performance-making
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|a Includes bibliographical references and index.
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|a Performing re-visions: palimpsests, postmemory, rememory and remains -- La Máquina de Teatro: trans-temporal theatres, bodies and environments in Mexico -- Mexican Trilogy: scenic correlation of memory and times -- Zapata, Death Without End -- War in Paradise -- Time of the Devil
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|a Theater
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|a Memory in literature.
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|a Théâtre
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|a Mémoire dans la littérature.
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|i Print version:
|a Hellier-Tinoco, Ruth.
|t Performing Palimpsest Bodies.
|d Bristol, UK ; Chicago, IL : Intellect, 2019
|z 9781841504667
|w (OCoLC)1107425683
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