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|a Performing arts in prisons :
|b creative perspectives /
|c edited by Michael Balfour, Brydie-Leigh Bartleet, Linda Davey, John Rynne and Huib Schippers.
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|a Bristol, UK :
|b Intellect,
|c 2019.
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|c ©2019
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|a 1 online resource (xiv, 264 pages) :
|b illustrations
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|a text
|b txt
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|a online resource
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|a Includes bibliographical references and index.
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|a Introduction : performing arts in prisons : creative perspectives -- 1. A correctional perspective on the creative arts in prisons -- 2. Geese Theatre Company : 30 years on -- 3. One Mob Different Country : First Peoples of Australia dance in Darwin Prison -- 4. "This place is full of drama queens" : reflecting on the value of drama in a women's prison -- 5. Through the looking glass : a voice from the inside -- 6. Breaking the fifth wall : how performance might assist desistance from crime -- 7. Drumming interventions in Australian prisons : insights from the Rhythm2Recovery model -- 8. Arts in Corrections New Zealand -- 9. The play's the thing : performance in Prison Shakespeare -- 10. "Heart and heartbeat" : working beyond prison theatre, performing protagonismo social in the real world -- 11. "Strategies for success" : trusting the power of the arts -- 12. Performing arts activities with hopes to build positive self-identity, heal harms and broaden the US public's perceptions of people inside prisons -- 13. Unlocked : prison poetry workshops as a key to engaging inmates -- 14. "Music is the colour of my skin" : the story of the Murru Band -- Concluding reflections.
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|a Performing Arts in Prisons explores prison arts in Australia, the United States, the United Kingdom and Chile, and creates a new framework for understanding its practices. There is a growing body of evidence that suggests music, theatre, poetry and dance can contribute to prisoner wellbeing, management, rehabilitation and reintegration. Performing Arts in Prisons represents a range of distinct perspectives on thesubject, from an inspector of prisons to the voice of the prisoner. The book includes a spectrum of arts approaches and models of practice alongside theory, critical commentary and accounts of personal experience to present a full analysis of the value and effects of creative arts in prison.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Prison theater.
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|a Arts in prisons.
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|a Performing arts
|x Social aspects.
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|a Theater and society.
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|a Théâtre dans les prisons.
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|a Arts dans les prisons.
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|a Arts du spectacle
|x Aspect social.
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|a Théâtre et société.
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|a PERFORMING ARTS
|x Theater
|x General.
|2 bisacsh
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|a SOCIAL SCIENCE / Sociology / General
|2 bisacsh
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|a Arts in prisons
|2 fast
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|a Performing arts
|x Social aspects
|2 fast
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|a Prison theater
|2 fast
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|a Theater and society
|2 fast
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700 |
1 |
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|a Balfour, Michael,
|d 1966-
|e editor.
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700 |
1 |
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|a Bartleet, Brydie-Leigh,
|e editor.
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700 |
1 |
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|a Davey, Linda,
|e editor.
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700 |
1 |
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|a Rynne, John,
|e editor.
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|a Schippers, Huib,
|d 1959-
|e editor.
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776 |
0 |
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|i Print version:
|t Performing arts in prisons.
|d Bristol, UK : Intellect, 2019
|z 1783209976
|w (OCoLC)1065952407
|
856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xw1kn
|z Texto completo
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