Rocking the closet : how Little Richard, Johnnie Ray, Liberace, and Johnny Mathis queered pop music /

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The all-embracing, 'whaddya got?' nature of rebellion in Fifties America included pop music's unlikely challenge to entrenched notions of masculinity. Within that upheaval, four prominent artists dared to behave in ways that let the public assume - but not see - their queerness. That...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Stephens, Vincent L. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2019]
Colección:New perspectives on gender in music.
Temas:
Little Richard, > 1932-2020.
Ray, Johnnie, > 1927-1990.
Liberace, > 1919-1987.
Mathis, Johnny.
Liberace, > 1919-1987
Little Richard, > 1932-2020
Mathis, Johnny
Ray, Johnnie, > 1927-1990
Homosexuality and popular music > United States.
Gay musicians > United States.
Gay singers > United States.
Music and race > United States.
Homosexualité et musique populaire > États-Unis.
Musiciens homosexuels > États-Unis.
Musique et race > États-Unis.
MUSIC > General.
Gay musicians
Gay singers
Homosexuality and popular music
Music and race
United States
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction : queering post-World War II masculinity through music
  • Visibly hidden : postwar disorientation, queer community, and queer ambivalence
  • A freak deferred : Johnnie Ray navigates innovation and convention
  • Spectacular vacillations : Little Richard charms and disarms America
  • Fine and dandy : mapping Johnny Mathis's negotiations of race, sexuality, and affect
  • Building an empire of illusion : Liberace and the art of queering
  • Conclusion : disquieting and exciting : queering tools in popular music and queer becoming.

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