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Rocking the closet : how Little Richard, Johnnie Ray, Liberace, and Johnny Mathis queered pop music /
The all-embracing, 'whaddya got?' nature of rebellion in Fifties America included pop music's unlikely challenge to entrenched notions of masculinity. Within that upheaval, four prominent artists dared to behave in ways that let the public assume - but not see - their queerness. That...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
[2019]
|
| Colección: | New perspectives on gender in music.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Stephens, Vincent L., |e author. | |
| 245 | 1 | 0 | |a Rocking the closet : |b how Little Richard, Johnnie Ray, Liberace, and Johnny Mathis queered pop music / |c Vincent L. Stephens. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2019] | |
| 300 | |a 1 online resource (1 volume) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a New perspectives on gender in music | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : queering post-World War II masculinity through music -- Visibly hidden : postwar disorientation, queer community, and queer ambivalence -- A freak deferred : Johnnie Ray navigates innovation and convention -- Spectacular vacillations : Little Richard charms and disarms America -- Fine and dandy : mapping Johnny Mathis's negotiations of race, sexuality, and affect -- Building an empire of illusion : Liberace and the art of queering -- Conclusion : disquieting and exciting : queering tools in popular music and queer becoming. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on March 30, 2020). | |
| 520 | 8 | |a The all-embracing, 'whaddya got?' nature of rebellion in Fifties America included pop music's unlikely challenge to entrenched notions of masculinity. Within that upheaval, four prominent artists dared to behave in ways that let the public assume - but not see - their queerness. That these artists cultivated ambiguous sexual personas often reflected an understandable fear, but also a struggle to fulfill personal and professional expectations. Vincent L. Stephens confronts notions of the closet - both coming out and staying in - by analysing the careers of Liberace, Johnny Mathis, Johnnie Ray, and Little Richard. Appealing to audiences hungry for novelty and exoticism, the four pop icons used performance and queering techniques that ran the gamut. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 600 | 0 | 0 | |a Little Richard, |d 1932-2020. |
| 600 | 1 | 0 | |a Ray, Johnnie, |d 1927-1990. |
| 600 | 0 | 0 | |a Liberace, |d 1919-1987. |
| 600 | 1 | 0 | |a Mathis, Johnny. |
| 600 | 0 | 7 | |a Liberace, |d 1919-1987 |2 fast |
| 600 | 0 | 7 | |a Little Richard, |d 1932-2020 |2 fast |
| 600 | 1 | 7 | |a Mathis, Johnny |2 fast |
| 600 | 1 | 7 | |a Ray, Johnnie, |d 1927-1990 |2 fast |
| 650 | 0 | |a Homosexuality and popular music |z United States. | |
| 650 | 0 | |a Gay musicians |z United States. | |
| 650 | 0 | |a Gay singers |z United States. | |
| 650 | 0 | |a Music and race |z United States. | |
| 650 | 6 | |a Homosexualité et musique populaire |z États-Unis. | |
| 650 | 6 | |a Musiciens homosexuels |z États-Unis. | |
| 650 | 6 | |a Musique et race |z États-Unis. | |
| 650 | 7 | |a MUSIC |x General. |2 bisacsh | |
| 650 | 7 | |a Gay musicians |2 fast | |
| 650 | 7 | |a Gay singers |2 fast | |
| 650 | 7 | |a Homosexuality and popular music |2 fast | |
| 650 | 7 | |a Music and race |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Stephens, Vincent L. |t Rocking the closet. |d Urbana : University of Illinois Press, [2019] |z 9780252042805 |w (DLC) 2019013782 |
| 830 | 0 | |a New perspectives on gender in music. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5406/j.ctvswx82r |z Texto completo |
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