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Art rebels : race, class, and gender in the art of Miles Davis and Martin Scorsese /
Postwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in the United States. Paul Lopes calls this the Heroi...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, New Jersey :
Princeton University Press,
[2019]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Lopes, Paul Douglas, |e author. | |
| 245 | 1 | 0 | |a Art rebels : |b race, class, and gender in the art of Miles Davis and Martin Scorsese / |c Paul Lopes. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c [2019] | |
| 300 | |a 1 online resource (v, 234 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Postwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in the United States. Paul Lopes calls this the Heroic Age of American Art, and identifies two artists--Miles Davis and Martin Scorsese--as two of its leading icons.0In this compelling book, Lopes tells the story of how a pair of talented and outspoken art rebels defied prevailing conventions to elevate American jazz and film to unimagined critical heights. During the Heroic Age of American Art--where creative independence and the unrelenting pressures of success were constantly at odds--Davis and Scorsese became influential figures with such modern classics as Kind of Blue and Raging Bull. Their careers also reflected the conflicting ideals of, and contentious debates concerning, avant-garde and independent art during this period. In examining their art and public stories, Lopes also shows how their rebellions as artists were intimately linked to their racial and ethnic identities and how both artists adopted hypermasculine ideologies that exposed the problematic intersection of gender with their racial and ethnic identities as iconic art rebels. Art Rebels is the essential account of a new breed of artists who left an indelible mark on American culture in the second half of the twentieth century. It is an unforgettable portrait of two iconic artists who exemplified the complex interplay of the quest for artistic autonomy and the expression of social identity during the Heroic Age of American Art. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on April 11, 2019). | |
| 505 | 0 | |a Cover -- Title -- Copyright -- CONTENTS -- Introduction. American Rebels: The Heroic Age of American Art -- PART I: REBELS MAKING ART: Interlude; 1. Miles Davis: Jazz, Race, and Negotiating the Popular; 2. Martin Scorsese: Rival Narratives of Autonomy in American Film -- PART II: THE BIOGRAPHICAL LEGENDS OF REBELS: Interlude; 3. Miles Davis: The Unreconstructed Black Man in Modern Jazz; 4. Martin Scorsese: A Sojourn from Italian American to White Ethnic American -- Conclusion. American Rebels: Redux -- Acknowledgments -- Notes -- Index. | |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Davis, Miles |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Scorsese, Martin |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Davis, Miles |2 fast |
| 600 | 1 | 7 | |a Scorsese, Martin |2 fast |
| 650 | 0 | |a Performing arts |z United States |x History. | |
| 650 | 0 | |a Gender identity in art. | |
| 650 | 0 | |a Race in art. | |
| 650 | 0 | |a Jazz |x History and criticism. | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 0 | |a Music and race |z United States |x History |y 20th century. | |
| 650 | 0 | |a Race in motion pictures. | |
| 650 | 0 | |a Music |x Social aspects |z United States |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z United States |x History |y 20th century. | |
| 650 | 0 | |a Gender identity in music. | |
| 650 | 0 | |a Gender identity in motion pictures. | |
| 650 | 6 | |a Arts du spectacle |z États-Unis |x Histoire. | |
| 650 | 6 | |a Identité de genre dans l'art. | |
| 650 | 6 | |a Race dans l'art. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Musique et race |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Race au cinéma. | |
| 650 | 6 | |a Musique |x Aspect social |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |x Aspect social |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Identité de genre dans la musique. | |
| 650 | 6 | |a Identité de genre au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Sociology |x General. |2 bisacsh | |
| 650 | 7 | |a Race in motion pictures |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 650 | 7 | |a Music and race |2 fast | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Jazz |2 fast | |
| 650 | 7 | |a Gender identity in music |2 fast | |
| 650 | 7 | |a Gender identity in motion pictures |2 fast | |
| 650 | 7 | |a Gender identity in art |2 fast | |
| 650 | 7 | |a Performing arts |2 fast | |
| 650 | 7 | |a Race in art |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a LOPES, PAUL. |t ART REBELS. |d [Place of publication not identified], PRINCETON University PRES, 2019 |z 0691159491 |w (OCoLC)1059269313 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv941vvj |z Texto completo |
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