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Devil's advocates. Scream /

Wes Craven's "Scream" (1996) emerged at the point where the early eighties American slasher cycle had effectively morphed into the post-"Fatal Attraction" (1987) trend for Hollywood thrillers constructed around slasher movie tropes. It was a spiritual successor to Craven...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: West, Steven (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leighton Buzzard : Auteur, 2019.
Colección:Devil's advocates.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a West, Steven,  |e author. 
245 1 0 |a Devil's advocates.  |p Scream /  |c Steven West. 
246 3 |a Scream 
264 1 |a Leighton Buzzard :  |b Auteur,  |c 2019. 
300 |a 1 online resource (129 pages) 
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490 1 |a Devil's advocates 
588 0 |a Print version record. 
504 |a Includes bibliographical references. 
505 0 |a Intro; Contents; 1 Flashback Face: 'Do You Like Scary Movies?' Scream and Revitalisation; 2 Craven Images: The Road to Scream; 3 Horror, Happy Meals and Hybridisation: Scream and the 1990s; 4 Characters, Conventions and 'The Rules': Creating Scream's Thieving, Whoring Emsenble; 5 Watch a few movies, make a few notes: Scream's layer cake of references; 6 Reception and Marketing: The Selling of Scream; 7 Scream and Scream again: The Legacy of Scream; Bibliography 
520 |a Wes Craven's "Scream" (1996) emerged at the point where the early eighties American slasher cycle had effectively morphed into the post-"Fatal Attraction" (1987) trend for Hollywood thrillers constructed around slasher movie tropes. It was a spiritual successor to Craven's unpopular but critically praised Wes Craven's "New Nightmare" (1994), a revisionist sequel reviving his most lucrative creation in a postmodern story about the filmmaker's own loss of creative control over the "Elm Street" franchise. "Scream" appropriates the multiple layers and extensive genre referencing of "New Nightmare," albeit in a much more commercial form carefully crafted to avoid alienating teen audiences who were not around for the original slasher cycle. its deconstruction of a seemingly moribund sub-genre was hailed as original, despite echoing the approaches of several fin-de-siècle eighties horror films. This book offers a detailed exploration of the "Scream" phenomenon, including its position in Craven's filmography, the script's prominent use of earlier genre films (particularly "Halloween" [1978]), the studio marketing campaign and the film's place in late twentieth-century horror cinema 
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600 1 0 |a Craven, Wes  |x Criticism and interpretation. 
630 0 0 |a Scream (Motion picture : 1996)  |x Criticism, interpretation, etc. 
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630 0 7 |a Scream (Motion picture : 1996)  |2 fast  |0 (OCoLC)fst01389013 
650 0 |a Thrillers (Motion pictures)  |x Criticism and interpretation. 
650 6 |a Thrillers (Films)  |x Critique et interprétation. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a Thrillers (Motion pictures)  |2 fast  |0 (OCoLC)fst01746079 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a WEST, STEVEN.  |t SCREAM.  |d [Place of publication not identified] : AUTEUR Publishing, 2017  |z 1911325272  |w (OCoLC)962253745 
830 0 |a Devil's advocates. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv13841jk  |z Texto completo 
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