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|a UAMI
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|a West, Steven,
|e author.
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|a Devil's advocates.
|p Scream /
|c Steven West.
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|a Scream
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|a Leighton Buzzard :
|b Auteur,
|c 2019.
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|a 1 online resource (129 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
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|a online resource
|b cr
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|a Devil's advocates
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|a Print version record.
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|a Includes bibliographical references.
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|a Intro; Contents; 1 Flashback Face: 'Do You Like Scary Movies?' Scream and Revitalisation; 2 Craven Images: The Road to Scream; 3 Horror, Happy Meals and Hybridisation: Scream and the 1990s; 4 Characters, Conventions and 'The Rules': Creating Scream's Thieving, Whoring Emsenble; 5 Watch a few movies, make a few notes: Scream's layer cake of references; 6 Reception and Marketing: The Selling of Scream; 7 Scream and Scream again: The Legacy of Scream; Bibliography
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|a Wes Craven's "Scream" (1996) emerged at the point where the early eighties American slasher cycle had effectively morphed into the post-"Fatal Attraction" (1987) trend for Hollywood thrillers constructed around slasher movie tropes. It was a spiritual successor to Craven's unpopular but critically praised Wes Craven's "New Nightmare" (1994), a revisionist sequel reviving his most lucrative creation in a postmodern story about the filmmaker's own loss of creative control over the "Elm Street" franchise. "Scream" appropriates the multiple layers and extensive genre referencing of "New Nightmare," albeit in a much more commercial form carefully crafted to avoid alienating teen audiences who were not around for the original slasher cycle. its deconstruction of a seemingly moribund sub-genre was hailed as original, despite echoing the approaches of several fin-de-siècle eighties horror films. This book offers a detailed exploration of the "Scream" phenomenon, including its position in Craven's filmography, the script's prominent use of earlier genre films (particularly "Halloween" [1978]), the studio marketing campaign and the film's place in late twentieth-century horror cinema
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Craven, Wes
|x Criticism and interpretation.
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|a Scream (Motion picture : 1996)
|x Criticism, interpretation, etc.
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|a Craven, Wes.
|2 fast
|0 (OCoLC)fst00230376
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|a Scream (Motion picture : 1996)
|2 fast
|0 (OCoLC)fst01389013
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|a Thrillers (Motion pictures)
|x Criticism and interpretation.
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|a Thrillers (Films)
|x Critique et interprétation.
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Thrillers (Motion pictures)
|2 fast
|0 (OCoLC)fst01746079
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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776 |
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|i Print version:
|a WEST, STEVEN.
|t SCREAM.
|d [Place of publication not identified] : AUTEUR Publishing, 2017
|z 1911325272
|w (OCoLC)962253745
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830 |
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0 |
|a Devil's advocates.
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4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv13841jk
|z Texto completo
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938 |
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|a ProQuest Ebook Central
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|n EBL5743256
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|b YANK
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