John Dos Passos & cinema /
"The first study of his little-known screen writing, John Dos Passos and Motion Pictures: Writing Film, Film Writing draws on previously unpublished manuscripts and letters to explore his cinematic methods and his controversial mid-career conservative political shift"--
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
[Clemson, South Carolina] :
Clemson University Press in association with Liverpool University Press,
2019.
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Edición: | First edition. |
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Part I (1917-1928). From the stage to the screen : "goin' to the movies ..." in the Great War and the 1920s
- Experimental drama and Soviet constructivist theater
- The birth of an industry : setting the stage for the screen
- "Propaganda for peace": film and narrative in One man's initiation : 1917 (1920), Three soldiers (1921), and D.W. Griffith's Hearts of the world (1918)
- Soviet film : montage, the camera eye, and ideology
- Part II (1934-1937). From Paramount Studios to the Spanish front: writing Hollywood, filming history
- "The world's greatest center of ... propaganda" : Hollywood, The devil is a woman, and The big money
- Film writing : "dreamfactory," meta-film, and the politics of form
- Filming history and The Spanish earth : "what a man and a comrade has to do in ... Wartimes"
- Part III (1937-1970). From page to stage to screens: adapting U.S.A. and "the truth as I see it"
- Filmic narrative into narrative film : "politics and the silver screen."