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Photographic returns : racial justice and the time of photography /
"In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from t...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2020].
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Smith, Shawn Michelle, |d 1965- |e author. | |
| 245 | 1 | 0 | |a Photographic returns : |b racial justice and the time of photography / |c Shawn Michelle Smith. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2020]. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (ix, 236 pages, 6 unnumbered pages of plates) : |b illustrations (some color), portraits | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"-- |c Provided by publisher. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on January 03, 2020). | |
| 505 | 0 | |a Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2020. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2020. |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Photography in ethnology |z United States |x History. | |
| 650 | 0 | |a Documentary photography |z United States |x History. | |
| 650 | 0 | |a Art and photography |z United States. | |
| 650 | 0 | |a Photography in historiography. | |
| 650 | 0 | |a Photography |x Social aspects |z United States |x History. | |
| 650 | 0 | |a Art and history |z United States. | |
| 650 | 6 | |a Photographie en ethnologie |z États-Unis |x Histoire. | |
| 650 | 6 | |a Photographie documentaire |z États-Unis |x Histoire. | |
| 650 | 6 | |a Art et photographie |z États-Unis. | |
| 650 | 6 | |a Photographie en historiographie. | |
| 650 | 6 | |a Photographie |x Aspect social |z États-Unis |x Histoire. | |
| 650 | 6 | |a Art et histoire |z États-Unis. | |
| 650 | 7 | |a PHOTOGRAPHY / Criticism |2 bisacsh | |
| 650 | 7 | |a Art and history |2 fast | |
| 650 | 7 | |a Art and photography |2 fast | |
| 650 | 7 | |a Documentary photography |2 fast | |
| 650 | 7 | |a Photography in ethnology |2 fast | |
| 650 | 7 | |a Photography in historiography |2 fast | |
| 650 | 7 | |a Photography |x Social aspects |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Smith, Shawn Michelle, 1965- |t Photographic returns. |d Durham : Duke University Press, 2020 |z 9781478004684 |w (DLC) 2019015471 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv12101x6 |z Texto completo |
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