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The politics of taste : Beatriz González and Cold War aesthetics /

In The Politics of Taste Ana María Reyes examines the works of Colombian artist Beatriz González and Argentine-born art critic, Marta Traba, who championed González's art during Colombia's National Front coalition government (1958-74). During this critical period in Latin American art,...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Reyes, Ana María (College teacher) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2019.
Colección:Art history publication initiative.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The politics of taste :  |b Beatriz González and Cold War aesthetics /  |c Ana María Reyes. 
246 3 0 |a Beatriz González and Cold War aesthetics 
264 1 |a Durham :  |b Duke University Press,  |c 2019. 
264 4 |c ©2019 
300 |a 1 online resource (xi, 311 pages) :  |b color illustrations 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction : Dis-cursis -- Vermeer in Bucaramanga, Beatriz in Bogotá -- A leap from the domestic sphere into the Sisga reservoir -- Cut it out? : impropriety at the MAMBO -- Notes for an exclusive history of Colombia -- Modernist obstruction at the Second Medellín Biennial -- Epilogue : Underdeveloped art for underdeveloped people. 
520 |a In The Politics of Taste Ana María Reyes examines the works of Colombian artist Beatriz González and Argentine-born art critic, Marta Traba, who championed González's art during Colombia's National Front coalition government (1958-74). During this critical period in Latin American art, artistic practice, art criticism, and institutional objectives came into strenuous yet productive tension. While González's triumphant debut excited critics who wanted to cast Colombian art as modern, sophisticated, and universal, her turn to urban lowbrow culture proved deeply unsettling. Traba praised González's cursi (tacky) recycling aesthetic as daringly subversive and her strategic localism as resistant to U.S. cultural imperialism. Reyes reads González's and Traba's complex visual and textual production and their intertwined careers against Cold War modernization programs that were deeply embedded in the elite's fear of the masses and designed to avert Cuban-inspired revolution. In so doing, Reyes provides fresh insights into Colombia's social anxieties and frustrations while highlighting how interrogations of taste became vital expressions of the growing discontent with the Colombian state. 
586 |a Association for Latin American Art Arvey Book Award, 2021 
588 0 |a Description based on online resource; title from digital title page (viewed on November 30, 2020). 
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