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Punctuations : how the arts think the political /
"In Punctuations Michael J. Shapiro examines how punctuation--conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility--opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-G...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2019.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Shapiro, Michael J., |e author. | |
| 245 | 1 | 0 | |a Punctuations : |b how the arts think the political / |c Michael J. Shapiro. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2019. | |
| 300 | |a 1 online resource (213 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a How 'popular' music thinks the political -- Urban punctuations: symphonic and dialectic -- Architectural punctuations: the politics of 'event spaces' -- Image punctuations: from the photographic to the cinematic -- Holocaust punctuations: Handke, Kertész, and Sebald. | |
| 520 | |a "In Punctuations Michael J. Shapiro examines how punctuation--conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility--opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization"-- |c Provided by publisher. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on February 24, 2020). | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2020. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2020. |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Punctuation. | |
| 650 | 0 | |a Punctuation |x Philosophy. | |
| 650 | 0 | |a Punctuation |x Social aspects. | |
| 650 | 0 | |a Punctuation |x Political aspects. | |
| 650 | 0 | |a Punctuation |x In literature. | |
| 650 | 0 | |a Punctuation |x In art. | |
| 650 | 6 | |a Ponctuation. | |
| 650 | 6 | |a Ponctuation |x Philosophie. | |
| 650 | 6 | |a Ponctuation |x Aspect social. | |
| 650 | 6 | |a Ponctuation |x Aspect politique. | |
| 650 | 6 | |a Ponctuation |x Dans la littérature. | |
| 650 | 6 | |a Ponctuation |x Dans l'art. | |
| 650 | 7 | |a POLITICAL SCIENCE / History & Theory |2 bisacsh | |
| 650 | 7 | |a Punctuation. |2 fast |0 (OCoLC)fst01084083 | |
| 655 | 7 | |a Art |2 fast |0 (OCoLC)fst01423702 | |
| 776 | 0 | 8 | |i Print version: |a Shapiro, Michael J. |t Punctuations. |d Durham : Duke University Press, 2019 |z 9781478005889 |w (DLC) 2019010891 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv120qs3d |z Texto completo |
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