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Listen but don't ask question : Hawaiian slack key guitar across the Transpacific /
"Played on an acoustic steel-string guitar with open tunings and a finger-picking technique, Hawaiian slack key guitar music emerged in the mid-nineteenth century. Though played on a non-Hawaiian instrument and being influenced by Mexican cowboy culture, it is widely considered to be a truly Ha...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2019.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Fellezs, Kevin, |e author. | |
| 245 | 1 | 0 | |a Listen but don't ask question : |b Hawaiian slack key guitar across the Transpacific / |c Kevin Fellezs. |
| 246 | 3 | |a Listen but do not ask question | |
| 246 | 3 | 0 | |a Hawaiian slack key guitar across the Transpacific |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2019. | |
| 300 | |a 1 online resource (xvii, 316 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Mapping the polycultural Transpacific -- Getting the 'right Hawaiian feeling' -- Taking Kuleana -- The Aloha affect -- Sounding out the second Hawaiian renaissance -- 'Ohana and the longing to belong -- Pono, a balancing act. | |
| 520 | |a "Played on an acoustic steel-string guitar with open tunings and a finger-picking technique, Hawaiian slack key guitar music emerged in the mid-nineteenth century. Though played on a non-Hawaiian instrument and being influenced by Mexican cowboy culture, it is widely considered to be a truly Hawaiian tradition grounded in Hawaiian aesthetics and cultural values. In Listen But Don't Ask Question Kevin Fellezs examines Kanaka Maoli (Native Hawaiian) and non-Hawaiian slack key guitar in Hawai'i, California, and Japan, tracing how notions of belonging and authenticity become contested depending on who plays the music and where. In Hawai'i slack key guitar functions as a sign of Kanaka Maoli cultural renewal, resilience, and resistance in the face of appropriation and occupation, while in Japan it becomes the means through which to create a merged Japanese-Hawaiian artistic and cultural sensibility. For diasporic Hawaiians in California, it provides with a way to claim Hawaiian identity. By demonstrating how slack key guitar is a site for the articulation of Hawaiian-ness Fellezs illuminates how slack key guitarists are reconfiguring notions of Hawaiian belonging throughout the Transpacific."--Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on February 18, 2020). | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2020. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2020. |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Hawaiian guitar music |z Hawaii |x History and criticism. | |
| 650 | 0 | |a Hawaiian guitar music |z California |x History and criticism. | |
| 650 | 0 | |a Hawaiian guitar music |z Japan |x History and criticism. | |
| 650 | 0 | |a Hawaiian guitar music |z Pacific Area |x History and criticism. | |
| 650 | 0 | |a Guitar music (Slack key) |z Hawaii |x History and criticism. | |
| 650 | 0 | |a Guitar music (Slack key) |z California |x History and criticism. | |
| 650 | 0 | |a Guitar music (Slack key) |z Japan |x History and criticism. | |
| 650 | 0 | |a Guitar music (Slack key) |z Pacific Area |x History and criticism. | |
| 650 | 6 | |a Guitare hawaïenne, Musique de |z Hawaii |x Histoire et critique. | |
| 650 | 6 | |a Guitare hawaïenne, Musique de |z Californie |x Histoire et critique. | |
| 650 | 6 | |a Guitare hawaïenne, Musique de |z Japon |x Histoire et critique. | |
| 650 | 6 | |a Guitare hawaïenne, Musique de |z Pacifique, Région du |x Histoire et critique. | |
| 650 | 7 | |a SOCIAL SCIENCE / Ethnic Studies / Native American Studies |2 bisacsh | |
| 650 | 7 | |a Guitar music (Slack key) |2 fast | |
| 650 | 7 | |a Hawaiian guitar music |2 fast | |
| 651 | 7 | |a California |2 fast | |
| 651 | 7 | |a Hawaii |2 fast | |
| 651 | 7 | |a Japan |2 fast | |
| 651 | 7 | |a Pacific Area |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Fellezs, Kevin. |t Listen but don't ask question. |d Durham : Duke University Press, 2019 |z 9781478005995 |w (DLC) 2019012126 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11cw555 |z Texto completo |
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