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The sonic episteme : acoustic resonance, neoliberalism, and biopolitics /
"In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studie...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2019.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a James, Robin, |d 1978- |e author. | |
| 245 | 1 | 4 | |a The sonic episteme : |b acoustic resonance, neoliberalism, and biopolitics / |c Robin James. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2019. | |
| 300 | |a 1 online resource (viii, 245 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Neoliberal noise and the biopolitics of (un)cool: acoustic resonance as political economy -- Universal envoicement: acoustic resonance as political ontology -- Vibration and diffraction: acoustic resonance as materialist ontology -- Neoliberal sophrosyne: acoustic resonance as subjectivity and personhood -- Social physics and quantum physics: acoustic resonance as the model for a "harmonious" world. | |
| 520 | |a "In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studies to black feminist studies and musicology, James shows how what she calls the sonic episteme--a set of sound-based rules that qualitatively structure social practices in much the same way neoliberalism uses statistics to achieve similar ends--employs a politics of exception to maintain hegemonic neoliberal and biopolitical projects. Where James sees the normcore averageness of Taylor Swift and Spandau Ballet as contributing to the sonic episteme's marginalization of non-normative conceptions of gender, race, and personhood, the black feminist political ontologies she identifies in Beyoncé's and Rihanna's music challenge such marginalization. In using sound to theorize political ontology, subjectivity, and power, James argues for the further articulation of sonic practices that avoid contributing to the systemic relations of domination that biopolitical neoliberalism creates and polices"-- |c Provided by publisher. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on February 25, 2020). | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2020. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2020. |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 650 | 0 | |a Music |x Social aspects |x History |y 21st century. | |
| 650 | 0 | |a Music |x Political aspects |x History |y 21st century. | |
| 650 | 6 | |a Musique |x Aspect social |x Histoire |y 21e siècle. | |
| 650 | 6 | |a Musique |x Aspect politique |x Histoire |y 21e siècle. | |
| 650 | 7 | |a MUSIC / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Music |x Political aspects |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 650 | 7 | |a Musik |2 gnd | |
| 650 | 7 | |a Musikphilosophie |2 gnd | |
| 650 | 7 | |a Neoliberalismus |2 gnd | |
| 650 | 7 | |a Biopolitik |2 gnd | |
| 648 | 7 | |a 2000-2099 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a James, Robin, 1978- |t Sonic episteme. |d Durham : University Press, 2019 |z 9781478006640 |w (DLC) 2019010885 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11smtjd |z Texto completo |
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