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Post-digital rhetoric and the new aesthetic /

"Uses the New Aesthetic to argue we are not just in a 'post-human' moment but a 'post-digital' one, where the blurring between the 'real' and the 'digital' has fundamentally reconfigured how we make sense of the world"--

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hodgson, Justin (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Columbus : The Ohio State University Press, [2019]
Colección:New directions in rhetoric and materiality.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hodgson, Justin,  |e author. 
245 1 0 |a Post-digital rhetoric and the new aesthetic /  |c Justin Hodgson. 
264 1 |a Columbus :  |b The Ohio State University Press,  |c [2019] 
264 4 |c ©2019 
300 |a 1 online resource (xii, 190 pages, 5 unnumbered pages of plates) :  |b color illustrations 
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490 1 |a New directions in rhetoric and materiality 
504 |a Includes bibliographical references (pages 173-180) and index. 
505 0 |a Introduction: Medial orientations : a cautionary tale -- The new aesthetic and (post- )digital rhetoric -- Rhetorical ecologies and new aestheticism -- Eversion as/of design and the blurring of rhetorical binaries -- Pixel orientation and the technologized human sensorium -- Human-technology making and a willingness to play -- Hyperawareness of mediation and the shift to medial experience. 
506 |a Open access. 
520 |a "Uses the New Aesthetic to argue we are not just in a 'post-human' moment but a 'post-digital' one, where the blurring between the 'real' and the 'digital' has fundamentally reconfigured how we make sense of the world"--  |c Provided by publisher 
520 |a "The proliferation of smart devices, digital media, and network technologies has led to everyday people experiencing everyday things increasingly on and through the screen. In fact, much of the world has become so saturated by digital mediations that many individuals have adopted digitally inflected sensibilities. This gestures not simply toward posthumanism, but more fundamentally toward an altogether post-digital condition—one in which the boundaries between the “real” and the “digital” have become blurred and technology has fundamentally reconfigured how we make sense of the world. Post-Digital Rhetoric and the New Aesthetic takes stock of these reconfigurations and their implications for rhetorical studies by taking up the New Aesthetic—a movement introduced by artist/digital futurist James Bridle that was meant to capture something of a digital way of seeing by identifying aesthetic values that could not exist without computational and digital technologies. Bringing together work in rhetoric, art, and digital media studies, Hodgson treats the New Aesthetic as a rhetorical ecology rather than simply an aesthetic movement, allowing him to provide operative guides for the knowing, doing, and making of rhetoric in a post-digital culture"--Publisher's description. 
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650 0 |a Rhetoric  |x Data processing. 
650 0 |a Rhetoric  |x Technological innovations. 
650 0 |a Aesthetics. 
650 0 |a Digital media. 
650 6 |a Rhétorique  |x Informatique. 
650 6 |a Médias numériques. 
650 7 |a LITERARY CRITICISM  |x Semiotics & Theory.  |2 bisacsh 
650 7 |a LANGUAGE ARTS & DISCIPLINES / General  |2 bisacsh 
650 7 |a Aesthetics.  |2 fast  |0 (OCoLC)fst00798702 
650 7 |a Digital media.  |2 fast  |0 (OCoLC)fst00893716 
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