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How the classics made Shakespeare /
Ben Jonson famously accused Shakespeare of having "small Latin and less Greek." But he was exaggerating. Shakespeare was steeped in the classics. Shaped by his grammar school education in Roman literature, history, and rhetoric, he moved to London, a city that modeled itself on ancient Rom...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, New Jersey :
Princeton University Press,
[2019]
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| Colección: | E. H. Gombrich lecture series.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bate, Jonathan, |e author. | |
| 245 | 1 | 0 | |a How the classics made Shakespeare / |c Jonathan Bate. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource : |b illustrations (black and white) | ||
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| 490 | 1 | |a E.H. Gombrich lecture series ; |v 2 | |
| 500 | |a "This book grew from the inaugural E.H. Gombrich Lectures in the Classical Tradition that I delivered in the autumn of 2013 at the Warburg Institute of the University of London, under the title, "Ancient Strength: Shakespeare and the Classical Tradition"--Preface, page ix | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The Intelligence of Antiquity -- O'er- Picturing Venus -- Resemblance by Example -- Republica Anglorum -- Tragical-Comical-Historical-Pastoral -- S.P.Q.L. -- But What of Cicero? -- Pyrrhus's Pause -- The Good Life -- The Defence of Phantasms -- An Infirmity Named Hereos -- The Labours of Hercules -- Walking Shadows -- In the House of Fame -- Appendix : The Elizabethan Virgil. | |
| 520 | |a Ben Jonson famously accused Shakespeare of having "small Latin and less Greek." But he was exaggerating. Shakespeare was steeped in the classics. Shaped by his grammar school education in Roman literature, history, and rhetoric, he moved to London, a city that modeled itself on ancient Rome. He worked in a theatrical profession that had inherited the conventions and forms of classical drama, and he read deeply in Ovid, Virgil, and Seneca. In this book, the author, one of the world's leading authorities on Shakespeare, offers groundbreaking insights into how, perhaps more than any other influence, the classics made Shakespeare the writer he became. Revealing in new depth the influence of Cicero and Horace on Shakespeare and finding new links between him and classical traditions, ranging from myths and magic to monuments and politics, the author offers striking new readings of a wide array of the plays and poems. At the heart of the book is an argument that Shakespeare's supreme valuation of the force of imagination was honed by the classical tradition and designed as a defense of poetry and theater in a hostile world of emergent Puritanism. | ||
| 588 | 0 | |a Print version record. | |
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| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616. |2 fast |0 (OCoLC)fst00029048 |
| 650 | 0 | |a Classical literature |x Influence. | |
| 650 | 6 | |a Littérature ancienne |x Influence. | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a Classical literature |x Influence. |2 fast |0 (OCoLC)fst00863517 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Bate, Jonathan. |t How the classics made Shakespeare. |d Princeton : Princeton University Press, 2019 |z 0691161607 |w (DLC) 2018957530 |w (OCoLC)1051136371 |
| 830 | 0 | |a E. H. Gombrich lecture series. | |
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