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JSTOR_on1089274292 |
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|a MUS
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|a UAMI
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|a Armstrong, Andrew B.,
|e author.
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|a 24 bars to kill :
|b hip hop, aspiration, and Japan's social margins /
|c Andrew B. Armstrong.
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|a Twenty four bars to kill
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|a Hip hop, aspiration, and Japan's social margins
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|a New York :
|b Berghahn Books,
|c 2019.
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|a 1 online resource (viii, 193 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Dance and performance studies ;
|v volume 14
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|a Includes bibliographical references and index.
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|a Online resource; title from digital title page (viewed on June 28, 2019).
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|a Intro; Contents; Figures; Acknowledgments; Note on Language; A Hip-Hop Introduction to Other Japans; Chapter 1 -- Down in the Ghetto; Chapter 2 -- Hypermasculinity and Ghetto/Gangsta Authenticity; Chapter 3 -- Represent JP Koreans! Ethnic Identity in Zainichi Hip Hop; Chapter 4 -- Rapping for the Nation; Afterword; References; Index
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|a The most clearly identifiable and popular form of Japanese hip-hop, 'ghetto' or 'gangsta' music has much in common with its corresponding American subgenres, including its portrayal of life on the margins, confrontational style, and aspirational 'rags-to-riches' narratives. Contrary to depictions of an ethnically and economically homogeneous Japan, gangsta J-hop gives voice to the suffering, deprivation, and social exclusion experienced by many modern Japanese. 24 Bars to Kill offers a fascinating ethnographic account of this music as well as the subculture around it, showing how gangsta hip-hop arises from widespread dissatisfaction and malaise.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Rap (Music)
|x Social aspects
|z Japan.
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|a Rap (Music)
|z Japan
|x History and criticism.
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|a Gangsta rap (Music)
|z Japan
|x History and criticism.
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|a Working class
|z Japan.
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|a Working poor
|z Japan.
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|a Crime
|z Japan.
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|a Gangs
|z Japan.
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|a Travailleurs
|z Japon.
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|a Travailleurs pauvres
|z Japon.
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|a MUSIC
|x Instruction & Study
|x Voice.
|2 bisacsh
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|a MUSIC
|x Lyrics.
|2 bisacsh
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|a MUSIC
|x Printed Music
|x Vocal.
|2 bisacsh
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|a MUSIC / Genres & Styles / Rap & Hip Hop
|2 bisacsh
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|a Crime.
|2 fast
|0 (OCoLC)fst00882984
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|a Gangs.
|2 fast
|0 (OCoLC)fst00937695
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|a Gangsta rap (Music)
|2 fast
|0 (OCoLC)fst01741930
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|a Rap (Music)
|2 fast
|0 (OCoLC)fst01089951
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|a Rap (Music)
|x Social aspects.
|2 fast
|0 (OCoLC)fst01089957
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|a Working class.
|2 fast
|0 (OCoLC)fst01180418
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|a Working poor.
|2 fast
|0 (OCoLC)fst01180666
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|a Japan.
|2 fast
|0 (OCoLC)fst01204082
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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0 |
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|i Print version:
|a Armstrong, Andrew B.
|t 24 bars to kill.
|d New York : Berghahn Books, 2019
|z 9781789202670
|w (DLC) 2019007626
|
830 |
|
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|a Dance and performance studies ;
|v v. 14.
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv287sg0x
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL5790684
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938 |
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|a EBSCOhost
|b EBSC
|n 1936681
|
938 |
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|a Recorded Books, LLC
|b RECE
|n rbeEB00825563
|
938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH35981991
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994 |
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|a 92
|b IZTAP
|