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Adult responses to popular music and inter-generational relations in Britain, c. 1955-1975 /
'Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955-1975' challenges stereotypes concerning a post-war 'generation gap', exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterize...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London, UK ; New York, NY :
Anthem Press,
2019.
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| Colección: | Anthem studies in British history.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Mitchell, Gillian, |e author. | |
| 245 | 1 | 0 | |a Adult responses to popular music and inter-generational relations in Britain, c. 1955-1975 / |c Gillian A.M. Mitchell. |
| 264 | 1 | |a London, UK ; |a New York, NY : |b Anthem Press, |c 2019. | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Anthem studies in British history | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on April 10, 2019). | |
| 520 | |a 'Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955-1975' challenges stereotypes concerning a post-war 'generation gap', exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores 'encounters' between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods. | ||
| 505 | 0 | |a <Span data-sheets-value="{"1":2, "2":"Acknowledgements; Introduction; 1. 'You Go Halfway, Don't You?' Family Life, Generational Identity and Popular Music; 2. 'To Have Done Something': The Christian Churches, Youth Clubs and Popular Music; 3. 'You've Got to Be Able to Entertain People': The Encounter between Popular Music and the Worlds of Variety and 'Light Entertainment'; Conclusion; Bibliography; Index."}" data-sheets-userformat="{"2":769, "3":{"1":0}, "11":3, "12":0}">Acknowledgements; Introduction; 1. 'You Go Halfway, Don't You?' Family Life, Generational Identity and Popular Music; 2. 'To Have Done Something': The Christian Churches, Youth Clubs and Popular Music; 3. 'You've Got to Be Able to Entertain People': The Encounter between Popular Music and the Worlds of Variety and 'Light Entertainment'; Conclusion; Bibliography; Index. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Popular music |y 1951-1960. | |
| 650 | 0 | |a Popular music |y 1961-1970. | |
| 650 | 0 | |a Popular music |y 1971-1980. | |
| 650 | 0 | |a Intergenerational relations |z Great Britain. | |
| 650 | 0 | |a Music |x Social aspects |z Great Britain |x History |y 20th century. | |
| 650 | 6 | |a Musique populaire |y 1951-1960. | |
| 650 | 6 | |a Musique populaire |y 1961-1970. | |
| 650 | 6 | |a Musique populaire |y 1971-1980. | |
| 650 | 6 | |a Relations entre générations |z Grande-Bretagne. | |
| 650 | 6 | |a Musique |x Aspect social |z Grande-Bretagne |x Histoire |y 20e siècle. | |
| 650 | 7 | |a POLITICAL SCIENCE |x Public Policy |x Cultural Policy. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x Cultural. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Popular Culture. |2 bisacsh | |
| 650 | 7 | |a Intergenerational relations. |2 fast |0 (OCoLC)fst00976251 | |
| 650 | 7 | |a Music |x Social aspects. |2 fast |0 (OCoLC)fst01030444 | |
| 650 | 7 | |a Popular music. |2 fast |0 (OCoLC)fst01071422 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 830 | 0 | |a Anthem studies in British history. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvcwnht2 |z Texto completo |
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