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JSTOR_on1088893222 |
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190301s2012 cl a ob 000 0 spa d |
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|a JSTOR
|b eng
|e rda
|e pn
|c JSTOR
|d YDX
|d OCL
|d OCLCQ
|d OCLCO
|d DGITA
|d OCLCQ
|d OCLCO
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|a 1088915991
|a 1089141408
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|a 9789569843259
|q (electronic bk.)
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|a 956984325X
|q (electronic bk.)
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|z 9789568415525
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|z 9568415521
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|a (OCoLC)1088893222
|z (OCoLC)1088915991
|z (OCoLC)1089141408
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|a 22573/ctvcjskmx
|b JSTOR
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|a s-cl---
|a n------
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|a N8846.C5
|b S96 2012eb
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|a ART
|x 062000
|2 bisacsh
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|a 709.83
|2 22
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|a UAMI
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|a Szmulewicz, Ignacio,
|d 1986-
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|a Fuera del cubo blanco :
|b lecturas sobre arte público contemporáneo /
|c Ignacio Szmulewicz R.
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|a Lecturas sobre arte público contemporáneo
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|a Santiago de Chile :
|b Ediciones Metales Pesados,
|c 2012.
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|a 1 online resource (181 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references (pages 177-181).
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|t Introducción --
|t De lo comunitario a lo monumental: Arte público norteamericano de las últimas dos décadas --
|t Paradigmas del arte público --
|t Paradigmas del site-specific --
|t El arte público como construcción visual de la ciudad: Del community-based art a la intervención monumental --
|t La ciudad como espectáculo --
|t Acciones de arte intervenciones y registros: Una mirada a la relación entre arte y ciudad en Chile --
|t Sobre el cielo de Santiago: Treinta años de ¡Ay Sudamérica! --
|t Sebastián Preece y el arte excavatorio: Intervención en el Hospital Salvador --
|t Patrick Hamilton y la ciudad espejeante: Proyecto Arquitecturas revestidas --
|t Ángela Ramírez y el pliegue arquitectónico: Sine qua non para el nuevo Centro de Justicia --
|t Posicionamiento y dislocación: <<Operación. Pasamontañas>> de la Trienal de Chile --
|g Listado de imágenes.
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|a A detailed study of the different conceptions of public art that analyses the most significant works created since the 1970's to present days, while exploring the relation between art and city in present Chile. The author explains how the proliferation of public art from collectives, artists, events and publications is a consequence of the political activism generated by diverse social-artistic events, "revitalizing the notion that there is a direct relationship between art and life, of the social role of the artist and of the possibility of political aesthetics." (Our translation) --Verso Cover
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Public art
|z Chile
|x History
|y 21st century.
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|a Art, Municipal
|z Chile.
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|a Public art
|z North America
|x History
|y 20th century.
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|a Public art
|z North America
|x History
|y 21st century.
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|a Arts and society
|z Chile.
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|a Arts et société
|z Chili.
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|a Art, Municipal
|2 fast
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|a Arts and society
|2 fast
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|a Public art
|2 fast
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|a Chile
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|a North America
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|a 1900-2099
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|a History
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|i Print version:
|a Szmulewicz, Ignacio, 1986-
|t Fuera del cubo blanco.
|d Santiago de Chile : Ediciones Metales Pesados, 2012
|z 9789568415525
|w (DLC) 2013452713
|w (OCoLC)822018385
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvckq6ph
|z Texto completo
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|a Digitalia Publishing
|b DGIT
|n DIGMETPES0028
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|a YBP Library Services
|b YANK
|n 16066992
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|a 92
|b IZTAP
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