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|a 1088911135
|a 1166331483
|a 1166384772
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|a 9789048537778
|q (electronic book)
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|a 9048537770
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|z 9789462986497
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|z 9462986495
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|a 10.1515/9789048537778.
|2 doi
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|a AU@
|b 000065113403
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|z (OCoLC)1088911135
|z (OCoLC)1166331483
|z (OCoLC)1166384772
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|a 22573/ctvd07p1q
|b JSTOR
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|k 2019
|2 edtf
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|o 16
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|a ND653.W93
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|a ART
|x 015000
|2 bisacsh
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|a 759.9492
|2 23
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|a UAMI
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|a Berry Drago, Elisabeth,
|e author.
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|a Painted alchemists :
|b early modern artistry and experiment in the work of Thomas Wijck /
|c Elisabeth Berry Drago.
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|a Early modern artistry and experiment in the work of Thomas Wijck
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|a Amsterdam :
|b Amsterdam University Press,
|c [2019]
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|c Ã2019
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|a 1 online resource (281 pages, 32 pages of plates) :
|b illustrations (some color), portraits
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|a text
|b txt
|2 rdacontent
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|a still image
|b sti
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a text file
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|b PDF
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|n nat
|a Americans
|2 lcdgt
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|n gdr
|a Women
|2 lcdgt
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|a Seventeenth century
|2 lcsh
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|a Amsterdam studies in the Dutch golden age
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|a Includes bibliographical references and index.
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|t Introduction --
|t 1. Curiosity and Convention --
|t 2. Thomas Wijck, "Artful" and "Ingenious" --
|t 3. Wijck's Alchemical Artisans --
|t 4. An Experiment in Haarlem --
|t 5. The Artist's Laboratories Abroad --
|t 6. The Master of Nature --
|t Epilogue.
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|a Thomas Wijck's painted alchemical laboratories were celebrated in his day as "artful" and "ingenious." They fell into obscurity along with their subject, as alchemy came to be viewed as an occult art or a fool's errand. But these unusual pictures challenge our understanding of early modern alchemy--and of the deeper relationship between chemical workshops and the artists who represented them. The work of artists, like the work of alchemists, contained intellectual-creative and manual-material aspects. Both alchemists and artists claimed a special status owing to their creative powers. Wijck's formation of an artistic and professional identity around alchemical themes reveals his desire to explore this curious territory, and ultimately to demonstrate art's superior claims to knowledge and mastery over nature. This book explores one artist's transformation of alchemy and its materials into a reputation for virtuosity--and what his work can teach us about the experimental early modern world.--
|c Provided by publisher
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|a Elisabeth Berry Drago studies interconnected histories of art and science in the Dutch Golden Age. She received her PhD from the University of Delaware, and is a former Fellow of the Science History Institute in Philadelphia.
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|a Print version record.
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|a In English.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Wyck, Thomas,
|d approximately 1616-1677
|x Criticism and interpretation.
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1 |
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|a Wyck, Thomas,
|d approximately 1616-1677
|x Themes, motives.
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1 |
1 |
|a Wyck, Thomas,
|d approximately 1616-1677
|x Themes, motives.
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1 |
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|a Wyck, Thomas,
|d approximately 1616-1677
|x Criticism and interpretation.
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|a Alchemy in art.
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|a Painting, Dutch
|x History
|y 17th century.
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|a Alchemy
|x History.
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|a Alchimie dans l'art.
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|a Alchimie
|x Histoire.
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|a ART
|x History
|x General.
|2 bisacsh
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|a Alchemy.
|2 fast
|0 (OCoLC)fst00804245
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|a Alchemy in art.
|2 fast
|0 (OCoLC)fst00804257
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|a Painting, Dutch.
|2 fast
|0 (OCoLC)fst01050779
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|a Themes, motives.
|2 fast
|0 (OCoLC)fst01355139
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|a 1600-1699
|2 fast
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655 |
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|a Art criticism.
|2 fast
|0 (OCoLC)fst02003312
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|a Art criticism.
|2 lcgft
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|a Critiques d'art.
|2 rvmgf
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|a Wyck, Thomas,
|d approximately 1616-1677.
|t Paintings.
|k Selections.
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776 |
0 |
8 |
|i Print version:
|a Berry Drago, Elisabeth.
|t Painted alchemists.
|d Amsterdam : Amsterdam University Press, [2019]
|z 9462986495
|w (DLC) 2019425212
|w (OCoLC)1076549962
|
830 |
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|a Amsterdam studies in the Dutch golden age.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvd1c7zz
|z Texto completo
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|a De Gruyter
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